TOP ventos's Videos 57 videos
7:45
The Tragedy at Tehran University!! part 1
  • 19 Jul 2009
  • 184
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6:57
Iranian farsi
  • 8 Jul 2009
  • 102
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2:32
comics
  • 7 Dec 2008
  • 760
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3:56
education
  • 21 Nov 2008
  • 336
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4:19
maquina de ensinar skinner
  • 3 Nov 2008
  • 1 380
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4:55
Immortal Technique quite rightly says that the developed world looks down on the third world as being 'backward' because economic aristocracies argue that they lack freedom of speech. However, if we view the music industry in the developed world, the concept of artists being signed to the major labels is extremely hypocritical- especially in 'the land of the free'. Why? Because whatever comes out of the artist's mouth is restricted and manipulated. As an artist you are owned by those major labels, which are corporations run by people who simply view the artist as an asset, the music as a product and us, as mere consumers. Therefore the major labels' central aim is PROFIT. To me, if profit is the goal of corporations of the music industry, they are in complete contradiction to hip-hop. Let us not forget that hip-hop came into existence because it was the only mechanism for an oppressed coloured man to hold a mic and say whatever he wanted. Hip-hop was the platform for free speech- essentially it was the voice of the voiceless. Besides just being 'party music', the music and the lyrics held a spiritual and intellectual weight. It gave the people an opportunity to speak about what they thought could be possible. Thus hip-hop encouraged the achievement of values derivable from life, it recognised independence, individuality and most importantly- it had the people's interest at heart. This is the true soul of hip-hop. However, as soon as a corporation's executive is the one defining the rules on that oval table in the office, the music is no longer real and meaningful. The aim of hip-hop music has shifted from caring about people, to profit maximisation. This has disrupted the very foundations of hip-hop and is exactly why we currently see a lot of empty music being produced. Corporations will not invest in artists who have something meaningful or true to say, mainly because they will not be profitable from a sales point of view since they only cater to the needs of the deceived mass market. Even marketing strategies have catalysed an incorrect perception of what hip-hop is. Many artists become so blinded by the flashing lights and profitability that they become oblivious to the fact that to be a hip-hop artist, a level of responsibility exists to preserve and build on the foundations of hip-hop. The instant an artist becomes commercialised, their music, their lyrics and even they themselves, become compromised. I am in no way implying that all artists who are signed to the majors have lost the true meaning of hip-hop. No doubt a few great artists exist, but they have been in the game for a very long time. These are the artists who realise the significance of the very origins of hip-hop and are not motivated by making a dollar. Their music and objectives are parallel to the true soul and culture of hip-hop. It is very rare for a new emerging artist in the commercial music industry to hold those same values. I believe that there is definitely a great deal of potential currently out there, but it is outweighed by the strength of corporations to mould hip-hop potential into meaningless money-making crap. Indeed, making money is the objective of every artist (including independent artists) and I would be lying if I said otherwise. But there is a big difference between an aim and an objective. The central aim of a true hip-hop artist, is to entertain and educate the people. Multiple layers within entertainment exist. It can inspire people, it can alter perceptions and it can make people relate to something they are going through in their lives. But entertainment can also deceive, delude and 'dumb down' people- corporations have taken full advantage of the latter. 'Open your eyes' reflects the two-fold meaning of The 3rd World album. While corporations are enjoying increasing sales, the profits generated supports imperialism. Why would corporations prevent artists to speak about things like government cover-ups, the demolition of towers and the illegal occupation of Palestine (despite the fact that hip-hop's foundations was strongly Islamically influenced from the onset)? It is because these censored things fuel their existence. It is the same money, along with our tax, that pays for illegal wars, robbing third world countries of their resources and taking advantage of cheap labour which adds to the uneven distribution of wealth and prevents the poor countries from economically advancing. This concept of taking advantage of the third world also occurs in the rap industry, whereby the underground can be viewed as 'the 3rd world' and artists are exploited for monetary gains. I commend independent artists who find mechanisms to circumvent corporations because they prefer lyrical independence over being commercialised. So if your goal is to be Mr. successful platinum artist, you are motivated by money and not by the love of hip-hop. hanaaB
  • 16 Jul 2009
  • 1 198
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6:31
Immortal Technique quite rightly says that the developed world looks down on the third world as being 'backward' because economic aristocracies argue that they lack freedom of speech. However, if we view the music industry in the developed world, the concept of artists being signed to the major labels is extremely hypocritical- especially in 'the land of the free'. Why? Because whatever comes out of the artist's mouth is restricted and manipulated. As an artist you are owned by those major labels, which are corporations run by people who simply view the artist as an asset, the music as a product and us, as mere consumers. Therefore the major labels' central aim is PROFIT. To me, if profit is the goal of corporations of the music industry, they are in complete contradiction to hip-hop. Let us not forget that hip-hop came into existence because it was the only mechanism for an oppressed coloured man to hold a mic and say whatever he wanted. Hip-hop was the platform for free speech- essentially it was the voice of the voiceless. Besides just being 'party music', the music and the lyrics held a spiritual and intellectual weight. It gave the people an opportunity to speak about what they thought could be possible. Thus hip-hop encouraged the achievement of values derivable from life, it recognised independence, individuality and most importantly- it had the people's interest at heart. This is the true soul of hip-hop. However, as soon as a corporation's executive is the one defining the rules on that oval table in the office, the music is no longer real and meaningful. The aim of hip-hop music has shifted from caring about people, to profit maximisation. This has disrupted the very foundations of hip-hop and is exactly why we currently see a lot of empty music being produced. Corporations will not invest in artists who have something meaningful or true to say, mainly because they will not be profitable from a sales point of view since they only cater to the needs of the deceived mass market. Even marketing strategies have catalysed an incorrect perception of what hip-hop is. Many artists become so blinded by the flashing lights and profitability that they become oblivious to the fact that to be a hip-hop artist, a level of responsibility exists to preserve and build on the foundations of hip-hop. The instant an artist becomes commercialised, their music, their lyrics and even they themselves, become compromised. I am in no way implying that all artists who are signed to the majors have lost the true meaning of hip-hop. No doubt a few great artists exist, but they have been in the game for a very long time. These are the artists who realise the significance of the very origins of hip-hop and are not motivated by making a dollar. Their music and objectives are parallel to the true soul and culture of hip-hop. It is very rare for a new emerging artist in the commercial music industry to hold those same values. I believe that there is definitely a great deal of potential currently out there, but it is outweighed by the strength of corporations to mould hip-hop potential into meaningless money-making crap. Indeed, making money is the objective of every artist (including independent artists) and I would be lying if I said otherwise. But there is a big difference between an aim and an objective. The central aim of a true hip-hop artist, is to entertain and educate the people. Multiple layers within entertainment exist. It can inspire people, it can alter perceptions and it can make people relate to something they are going through in their lives. But entertainment can also deceive, delude and 'dumb down' people- corporations have taken full advantage of the latter. 'Open your eyes' reflects the two-fold meaning of The 3rd World album. While corporations are enjoying increasing sales, the profits generated supports imperialism. Why would corporations prevent artists to speak about things like government cover-ups, the demolition of towers and the illegal occupation of Palestine (despite the fact that hip-hop's foundations was strongly Islamically influenced from the onset)? It is because these censored things fuel their existence. It is the same money, along with our tax, that pays for illegal wars, robbing third world countries of their resources and taking advantage of cheap labour which adds to the uneven distribution of wealth and prevents the poor countries from economically advancing. This concept of taking advantage of the third world also occurs in the rap industry, whereby the underground can be viewed as 'the 3rd world' and artists are exploited for monetary gains. I commend independent artists who find mechanisms to circumvent corporations because they prefer lyrical independence over being commercialised. So if your goal is to be Mr. successful platinum artist, you are motivated by money and not by the love of hip-hop. hanaaB
  • 2 Nov 2008
  • 1 648
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6:21
the final speech from Charles Chaplin´s movie "The Great Dictator" o dircurso final do filme de Charles Chaplin "O Grande Ditador" (1940) Ganhou os prêmios Melhor Música, Melhor Filme, Melhor Ator Coadjuvante e Melhor Roteiro Original. Associação dos Críticos de Nova York 1940 - Vencedor de Melhor Ator. link do discurso em texto...
  • 20 May 2009
  • 1 758
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1:30
Aldous Huxley talking about Brave New World
  • 20 Sep 2009
  • 696
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6:29
ANTES DE VER O VÍDEO LEIA A INFORMAÇAO ABAIXO: LIVROS QUE TRATAM SOBRE O ASSUNTO: OS ANJOS NÃO TOCAM ESSA HARPA (ANGELS DON'T PLAY THIS HARP)- Nick Begich y Jeane Manning PETER SLOTERDIJK, TREMORES DE AR. NAS NOVAS FONTES DO TERROR. o VÍDEO NAO É UM INFORME DETALHADO E NEM UM DOCUMENTAL, É UM RESUMO SOBRE AS INFORMAÇOES NÃO OFICIAIS QUE CIRCULAM. ATÉ MESMO PORQUE EM SE TRATANDO DE UM PROJETO MILITAR, AS INFORMAÇOES OFICIAIS NAO DARIAM DETALHES DE OPERAÇOES MILITARES. AS IMAGENS SAO APENAS ILUSTRATIVAS, E OS CHEMTRAILS ESTAO NO VÍDEO PARA ILUSTRAR QUE AMBOS CAUSAM MUDANÇAS CLIMATOLÓGICAS. TERREMOTOS E HAARP: em um documental se afirma que as essas ondas de radio-freqüência funcionam como un radar de um golfinho, entram até as capas tectônicas em busca de petróleo, ao fazer vibrar essas capas, elas emitem de volta ondas que conforme a leitura, se pode saber se há petróleo naquela região ou não. MENTAL E HAARP: há estudos que dizem que nossas ondas alteram sob fortes emoçoes e passamos a ondas de 20hz de frequencia a CRUZ VERMELHA já fez um informe alertando que as ondas de baixa frequência afetam não só a nossa saúde mas também a de animais. Passe essa informação para quantas pessoas puder, mesmo que nao acredite, nao prive uma pessoa que possa ser informada sobre o assunto, e busque saber mais sobre esse assunto, com muito cuidado com os meios de des.informação. HAARP E NIKOLA TESLA há uma teoria de que o inventor do protótipo que viria a ser o haarp foi Nikola Tesla. Ele queria criar um mecanismo que fosse capaz de enviar energia elétrica GRATUITAMENTE a todas as regiões do mundo, desde países desenvolvidos até países em desenvolvimento. As empresas do setor, obviamente não viram interesse algum em uma tecnologia que enviasse energia de graça ao mundo inteiro. Ele acabou perdendo todo o patrocínio e teve que cancelar o projeto, encerrando-o em seu cofre, mas alguns estudiosos relacionam o fenômeno ocorrido em Tunguska a uma experiência de Tesla com dito protótipo, uma vez que o próprio Tesla havia dito que naquele dia enviaria um sinal a seu amigo que estava na região do polo norte, através de um sinal de luz no céu. Dita explosão foi uma fenômeno até agora considerado como a queda de um corpo celeste, pode ter sido em realidade um acidente durante a experiência. Uma vez constatado por Tesla que seu invento podia também ser usado como uma arma mortal, desistiu de seguir adiante com a pesquisa. Quando da sua morte, segundo teorias que circulam nos dias atuais, serviços de intelgencia tomaram a posse de todas as invenções de Nikola Tesla, passados mais de 63 anos de sua morte, todos os seus projetos siguem sendo classificados como secretos. Daí a teoria de que o HAARP em realidade, foi criado com base no projeto de Tesla. in English you can see: USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED
  • 27 Oct 2008
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9:49
HAARP, responsável por terramotos e furacões, aquecimento global e controle mental
  • 27 Oct 2008
  • 512
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6:09
THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED vídeo de um programa de rádio chamado Boira Misterio, que dedicou esse dia a um dos maiores inventores da história da humanidade Nikola Tesla.
  • 27 Oct 2008
  • 570
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9:58
THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED vídeo de um programa de rádio chamado Boira Misterio, que dedicou esse dia a um dos maiores inventores da história da humanidade Nikola Tesla.
  • 27 Oct 2008
  • 1 330
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7:13
Corajoso documentário da rede CBC News realizado pela jornalista Wendy Mesley, simplesmente incrível e corajosa, sobre o Haarp e a relação dessa invenção com o gênio incompreendido Nikola Tesla e o uso que fizeram de sua invenção.
  • 27 Oct 2008
  • 3 204
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8:24
Primeiros oito minutos legendados em Português por Diogo ( a tradução completa:
  • 28 Oct 2008
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5:02
comédia,gato fedorento
  • 28 Oct 2008
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3:59
A Ministra e a Manifestação
  • 24 Oct 2008
  • 7 296
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