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0:35
Purchase our Unique selection of Ceiling Tiles in the Building Materials Department from Himalyan Acoustics India.
10 Oct 2017
5
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2:51
Akshay Says :- I'll Miss You Guitar Cover Secret Superstar Hello Guyss This Is My Personal Channel As you All Know I am Running a AGuitar Worldzz Which is The Guitar Learning Point . If you are Interested to learn the Acoustic or Electric Guitar . Here I share my Cover Videos to Entertain all of You .. If you like Please Remember to hit the Like and Don't Forget to SUBSCRIBE the Channel For More Videos.
9 Oct 2017
24
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1:10
Recessed Access Door without Flange : The BA-AHA's recessed panel will accept ceramic tile, drywall panels, acoustical tiles or other materials to match the surface finish on which it is installed. It is also available in different recesses (see options)
6 Oct 2017
17
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2:10
Akshay Says :- Hello Guyss This Is My Personal Channel As you All Know I am Running a AGuitar Worldzz Which is The Guitar Learning Point . If you are Interested to learn the Acoustic or Electric Guitar . Here I share my Cover Videos to Entertain all of You .. If you like Please Remember to hit the Like and Don't Forget to SUBSCRIBE the Channel For More Videos. AGuitar Worldzz Link:- Talk to me On my Facebook Page:-facebook/AGuitarWorldz
30 Sep 2017
17
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3:40
This simple tune features stereo acoustic guitars tuned in open G and a soft drum beat that uses brushes. Live lead Takamine acoustic guitar - Lee Fitzsimmons * Live stereo Takamine acoustic guitars with open G tuning- Lee Fitzsimmons * Live Ibanez 5-string bass - Lee Fitzsimmons * Drum kit with brushes- Lee Fitzsimmons This simple instrumental consists of acoustic open string guitars (panned in stereo) and a nimble melodic line that is accompanied by a rhythm section that features a bass, a light kick drum, and a soft snare played with brushes. The verse employs a folksy riff in open G that uses the D string to playfully manipulate a half-step tension that gives the track a certain harmonic intensity. The guitars stay on this constant four note pattern while the bass shifts the tonal center from the tonic to the relative minor to the subdominant and then finally to the dominant in order to construct a complete harmonic sequence. In the chorus, a shift to A minor allows the guitars to emphasize a decending and ascending half-step line that adds even more harmonic tension to the song. At the bridge, C minor chords are used so that slightly different colors can present themselves, so the tune is allowed to breathe a little before returning once again to the original form in order to end the piece. The flavor of this happy tune represents the natural beauty of the countryside. This beauty is untainted by the native culture of humanity. Nature does not need culture to express its effervescent colors and shimmering vibrations of musical sounds. Nature is culture.
29 Sep 2017
30
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2:43
A faerie tune performed on flute and accompanied by twin acoustic guitars and playful percussion. Flute - Lee Fitzsimmons * Marimba - Lee Fitzsimmons * Live Takamine acoustic guitars - Lee Fitzsimmons * Acoustic bass - Lee Fitzsimmons * Kick drum, rainmaker, wind chimes, guiro, claves, triangle, shaker, and sleigh bells - Lee Fitzsimmons This woodland-flavored composition is straightforward and simple. The twin acoustic guitars ring some high-pitched chords using different inversions as the kick drum and acoustic bass set up the beginning groove. The guiro along with two sets of differently pitched claves play a coordinated figure, giving the introduction a very distinctive color that continues throughout the piece. When the flute enters with the main melody, the entire ensemble begins playing the main groove as the rainmaker pours water over the mix. This tune consists of three sections that repeat until the song fades. At the end of the first section, the flute begins jumping octaves as it simulates the flight of a butterfly or a faerie. The sleigh bells enter at the beginning of the second section and the guiro and claves drop out. In the third section, the melody merges with the underlying harmonic structure and the two become one. The entire form then repeats several times before the piece ends.
28 Sep 2017
37
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0:46
We offer premium quality Ceiling Insulation services at affordable prices in Australia. If you are interested or want to know more, then you can contact Fletcher Insulation.
28 Sep 2017
4
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2:13
This jazz waltz features vocal, saxophone, and flute performances accompanied by a jazz trio. Vocal - Lee Fitzsimmons * Live Yamaha tenor saxophone (YTS - 21) - Lee Fitzsimmons * Live Gemeinhardt flute - Lee Fitzsimmons Piano - Lee Fitzsimmons * Acoustic bass - Lee Fitzsimmons * Drum kit and ride cymbals - Lee Fitzsimmons LYRICS "Think I'm gonna go sail away, forever and a day. Through the clouds and over the trees, think I'm gonna go sail away. Gonna get me a big balloon, so I can fly away to the moon. Through the stars on Mercury's tune, gonna get me a big balloon... Breathe deep the golden air, swirling through our minds. We'll find a solace there, an essence so sublime." "Maybe we could fly away to Mars, the whole universe is ours. See the light wherever we are, maybe we could fly away to Mars. Jupiter and Venus, too. That's what I'm really gonna do. Saturn in it's hazy dew, Jupiter and Venus, too... Breathe deep the golden air, swirling through our minds. We'll find a solace there, an essence so sublime." The jazz trio sets up a spirited groove; the vocal begins. A soulful tenor saxophone fills the gaps of the vocal melody during the verses. In the chorus, a playful flute plays during the vocal breaks as a clever modulation occurs. After the chorus, the saxophone takes a lively be-bop style ride and is then joined by the flute, so the pair can present a two part harmony that sets the stage for the second verse. The entire form repeats and the song ends on the final note of a brief coda. The philosophical essence of this tune is the concept of "floatation" as an allegory for the ascent of the kundalini energies up the spinal cord. The planetary chakras of alchemical lore are mentioned in the lyrics as guiding beacons of light that guarantee that the balloon's pilot is never lost.
27 Sep 2017
27
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5:57
Hello Doston , This Is Akshay. I am very Thankful to all of you for supporting my Work .. Do you know | Diljit Dosanjh | Guitar Tutorial | chords | AGuitar Worldzz mai ap sabi ka liye new songs ka ya fir apki request par songs ka lesson leka ataa rehta hu .... Mera Channel Ko Subscribe karna na Bhule... Agar apko koi taqleef hoti hai iss song ko sikhna mai to ap Mera Facebook page par jaker Wahan sa Iss Song ka Written Lyrics with chords dekh sakte hai ...... Written Lyrics with chords :- Agar apko Mera Progression acha lage to Mera facebook page ko like karna na Bhule.....Link Is given Down Below.... Like Share Subscribe..... Subscribe here ;- Lets Be a Friend See Me on Social Media:-----------  Facebook Page: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
26 Sep 2017
33
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2:08
This tropically flavored work features modern reggae sounds and sweet electronica goodness. Flute - Lee Fitzsimmons * Marimba - Lee Fitzsimmons * Acoustic bass - Lee Fitzsimmons * Fender Rhodes - Lee Fitzsimmons * Electronic ambience chords - Lee Fitzsimmons * Drums, shakers, triangle, and marc tree - Lee Fitzsimmons This happy song is full of mirthful delight and playfully elegant sounds that tickle the funny bone of the ear. The main groove is established with the drums, acoustic bass, Fender Rhodes, and electronic ambience. They play a very thick two chord vamp as the triangle provides some neat syncopated rhythms. The melody (played on flute and marimba) enters over this vamp and plays over its cycle twice. The piece then enters the B section, as the melody begins a delightfully pleasant arpeggiated figure that leaps about playfully and ends on the high note of the piece. The various sections repeat a few times, and the piece ends with a brief coda and a final note. The overall ambience of this work invokes the essence of joy and bliss found when the responsibilities of the world do not weigh heavily on one's shoulders. Even though the cares of the world have not gone away, they are manageable and it is possible to still have a light heart. The currents of this piece also support a type of vibe that allows productive thought and action to occur as the strains of the melody sing within the soul so that one's daily labor is a thing of beautiful existence and not an undesirable chore.
26 Sep 2017
51
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0:43
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25 Sep 2017
37
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3:24
An original song in Portuguese Uma canção sobre transar com uma alma penada e acordar assustada
22 Sep 2017
65
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