Demetrius, a member of United Way's Key Club, discusses how she LIVES UNITED in central Ohio.
Demetrius Navarro * Director "Put Your Locs On"
MAC DEMETRIUS WILL 2 B STUNTMAN LINER 1 FG DJ RADIO USA
Music Glamour Is Back 2012©
Mac Demetrius WILL 2 B STUNTMAN LINER 1 /2013 FG DJ RADIO USA
Me and Billy join together in a brand new series of Eyepet, this time, joined by Demetrius!
Premiere Episode for U People Podcast
Featuring crazy times with filmmakers Hanifah Walidah and Olive Demetrius, Comedian and U People Experience host Gloria Bigelow and Poet Red Summer.
Kalinga was a kingdom in central-eastern India, which comprised most of the modern state of Orissa, as well as some northern areas of the bordering state of Andhra Pradesh. It was a rich and fertile land that extended from the river Damodar to Godavari and from Bay of Bengal to Amarkantak range in the West.
This region was scene of the bloody Kalinga War fought by the Maurya Emperor Ashoka the Great of Magadha circa 265 BCE.
Kharavela (IAST: Khāravela, Devanagari: खारवेल) (?209 - after 170 BCE), was greatest warrior Jain king of Kalinga, in Orissa state of India. He was responsible for the propagation of Jainism in East India but his importance in neglected in many accounts of Indian History. According to the Hathigumpha inscription near Bhubaneswar, Orissa, he attacked Rajagriha in Magadha, thus inducing the Indo-Greek king Demetrius to retreat to Mathura.
The history of the Sculptures
“…you need to understand what the Parthenon Marbles mean to us. They are our pride. They are our sacrifices. They are the absolute noble symbol to us. They are a tribute to the democratic philosophy. They are the ambition and our identity. They are the essence of Hellenism…”, Melina Merkouri
It was in 1806, when the “journey” of the sculptures began.
Their destination was Britain and their bearer, the passionate antiquities collector, Count of Elgin. At the Acropolis of Athens, only the half of the decorating part of the Frieze had remained and tens of sculptures were removed- among them some of the Ancient Greek Civilization’s finest works of art. In Britain, the sculptures were named after Elgin, the Elgin Marbles.
The monument’s catholicity
The UNESCO World Heritage Centre included the Parthenon as part of the wider monument complex, recorded in the world heritage monuments since 11th September 1987. However, the Parthenon is beyond the numbers of a World Monument Record. As a construction achievement, it consists the most credible witness of a former civilization in technological and aesthetic context, which has significantly influenced the development of the modern “Western” world.
The Parthenon is the greatest monument of the Athenian State and the apex of the Doric order. Its construction began in 448/7 B.C., whereas the opening was held in 438 B.C. at the Panathenaic Games and the sculpture decorations were finished in 433/2 B.C. According to the sources of antiquity, the architects who worked for the construction of the Parthenon were Iktinos, Calicrates and possibly Phidias, who was also responsible for the sculpture decoration. It is one of the Greek temples that is entirely built of marble as well as the only Doric temple with anastatic metopes. Many parts of the sculpture decoration, the architrave and the coffers of the ceiling were drawn with red, blue and gold colour. Penteli marble was used, except from the stylobate, which was built of limestone.
The pteron had 8 columns breadthwise and 17 columns lengthwise. The placement of the columns was unusually close, with the analogy between the column’s circle and the column distance, being 1:2, 25 (compared to the analogy 1:2, 32 at the temple of Zeus in Olympia and 1:2, 65 at the temple of Aphea in Aegina) there was also a second row of 6 columns. This row created a delusion of a double-pteron temple. Another extraordinary feature was the existence of frieze, which ran through the cella and probably consists one of the most obvious Ionic influences. The metopes of the east side represent the Fight of the Titans. On the right side, we can see the Amazons fighting, on the south side the Fight of the Centauromachy and on the north side, scenes from the Trojan War.
The frieze represents the Panathenaic procession, the biggest religious celebration of Ancient Athens and includes figures of gods, animals and about 360 human figures. The two frontispieces represent scenes inspired by mythology. Above the central entrance of the temple, on the east side, they represent the birth of Athena and on the west side, the dispute between Athena and Poseidon about the possession of the Athenean land. Although this temple was different from other Doric temples, as far as its decoration length is concerned, the decoration did not affect the unity of the whole temple.
The Parthenon had remained untouched, until the Macedonian times. On the contrary, after the Macedonian times and the the battle in the river Granicos, golden shields- the loot of Alexander’s victory- were placed at the Parthenon, as trophies. The first damaging actions took place during the tyrant Lacharis times. Lacharis was appointed tyrant of Athens by Cassandros, according to Pausania’s narration. He took the shields from the Parthenon as well as the gold and the jewellery from the golden and ivory statue of Athena. Damages were also caused in the opisthodomos of the temple, when Demetrius the Conqueror used it as his personal bedroom.
During the Roman times, no changes were registered in the Parthenon temple, preserving its physiognomy and its prestige even during the post-Christian centuries. However, at the emperor Justinian’s era, the Panathenaic procession did not proceed up to the Parthenon and every kind of worship- public or private- had been lost, according to the Latin Orator Claudius Mamertine (4th century).
During the Byzantine times, although the Parthenon was not destroyed,
- as the edicts of of Theodosius 2nd dictated, the temple changed and became the Christian Church of St Sophia. The inauguration of this church was celebrated during the times of the emperor Justinian. In the antetemple, the arch of the sanctuary was added. According to Burnouf, because of these transformations, in 1877, only relics of murals and a few inscriptive engravements on the walls and columns remained.
During the times of Frangokratia, (Greek: Φραγκοκρατία, lit. "Francocracy", "rule of the Franks),the space around the Parthenon became the dwelling place for the first Frank ruler of Athens, Othonas Delaros, whereas the Acropolis became the head of the Frankish baronage and the centre of the historic life of the city, up to such a point that Athens was at the time known as “Castellym Athenarum”. The Parthenon was given to the Roman Church and changed into a Latin temple that was worshiped in the name of the Virgin Mary. On the west side, a bell tower was added, that during the Turkish occupation, it became a minaret.
During the Venetian rule, no changes were observed or registered about the monument.
According to the narrations of posterior sight-seers, like the Italian Nikolaos Martonis -who visited the Acropolis in 1395- and Kuriakos Agkonitis , who traveled in Athens in 1436, we have two descriptions of the Christian Parthenon. The first representative of the medieval ideology is wondering how the construction of such a huge building could have been possible, whereas the second representative of the Italian Renaissance focused his attention on the beauty of the ancient monuments.
During the Turkish occupation, the Acropolis fell into the hands of the Turks in 1458, when Mehmet II the Conqueror visited it. The Holy rock was then known as the “Atina Kalesi”, that meant the fortress of Athens. During the 17th century, the Parthenon was a mosque and had a minaret, which was destroyed in 1687. This mosque did not meet the standards of the Islamic religion and that’s the reason why it never became a Muslim worship temple.
During Fragiskos Morozini’s crusade against Athens in1687, serious damage was caused in the Parthenon, on the night of September 16th , when a bombshell blew up the powder magazine that the Ali Aga had installed, as the governor of the temple’s fortress. The biggest part of the temple towards the east side collapsed. Since that moment and till the monument it was given to the hands of archaeology, it was highly looted, mostly by Lord Elgin, while serious damage was caused during the Greek Revolution in 1821 and the Acropolis’s invasion by Kioutahi Bey
The “firman” and… Elgin
The sculptures of the Parthenon, also known as the Elgin Marbles consist a big collection of marble sculpture, which was transported in Britain in 1806 by Thomas Bruce, ‘Z Count of Elgin, ambassador in the Ottoman Empire from 1799 till 1803. Taking advantage of the Ottoman reign of the Greek territory, Elgin managed to obtain permission (the firman) by the Ottoman Sultan to remove the marbles in order to enumerate and register them in schemes, but later he moved on to their abstraction and their exportation out of the country.
More about the firman
According to the British Commission for the Return of the Marbles, the first permission was officially obtained in May 1801 and it seems that it had been sent directly to Athens by the Sultan’s clerks. The content of the permission is not known but we assume that it allowed to the Elgin’s team access to the Acropolis so that they placed scaffolds and formers.
The specific permission though was soon considered inadequate by the team. The Team asked permission for the second time and they would get it. Since they got it, they were allowed to “dig” and remove tures sculp or inscriptions. The second firman was given to them on the 6th July 1801 and allowed Elgin to take rocks with inscriptions and numbers on them. A month later, in August 1801, Elgin asks Hunt Voivode to let him take the metopes of the Parthenon, a request which would even be disapproved by the Greek Vice-president, Ambassador of Britain in Athens.
According to the writings of the British intellect Edward Daniel Clarke (1769-1822) in his work “Journeys”, Part II, P. 483, “One of the workers came to notify Don Batista that the metopes were going to be cut. Then, we saw that extraordinary piece of sculpture being destroyed , huge masses of white penteli marble fell down making a huge noise among the ruins. When Disdar saw this, he couldn’t control his feelings anymore. He shed a tear and stated in the most emphatic way: “This is the end!”, “Never again”, stating firmly that he would never give his consent again to any further dilapidation of this construction.”
After a year
Always according to the historic evidence, set out by the British Committee, in the spring of 1802, Elgin came to Athens and congratulated his team, personally supervising the removal of pieces from the eastern frontispiece.
The sculpture’s exportation to London came across several problems. In September, “Mentor”, Elgin’s ship was sunk close to the island of Kithira, bearing some of the most delightful sculpture of the Parthenon. On the Christmas Eve of the year 1802, Hunt managed to ask captain Clarke (who governed the HMS “Braakel” for help, so that the sculptures would be saved.
Lord Elgin left with his family from Constantinople on the 16th January 1803, while he was arrested by the French authorities and was under detention for the next three years. At the same period of time, one of his men, back in Athens, removed one of the Caryatids of the Erechtheion and replaced her with a pylon, so that the construction wouldn’t collapse.
In 1806, when Elgin was set free from captivity, the second big antiquities collection was still in Athens, supervised by his “loyal” guard Lusieri. In 1809, the new British Ambassador Robert Adair asked for the marbles’ exportation, while the Ottomans answered that Lord Elgin was never given permission to remove the marbles from the Parthenon. Elgin’s team arrived in Athens on the 20th March. Lusieri didn’t lose time and all the marbles were boated on a ship, that set sail to London on the 26th March.
Piece by piece
The famous collection of these contentious sculptures includes some of the sculptures of the frontispieces and the metopes, representing battles between the Lapiths and the Centaurs as well as some of the frieze of the Parthenon, which decorated the upper part of the cella’s walls of the temple lengthwise. As a result, they represent more than the half of the remaining sculpture decoration of the Parthenon that has survived through time. 75 metres out of the initial 160 metres, 15 out of the 92 metopes, 17 partial figures, taken from the frontispieces, as well as more pieces of the architecture.
More precisely, from a total of 97 surviving stones of the frontispiece of the Parthenon, 56 are in London and 40 in Athens. From a total of 64 surviving metopes, 48 are in Athens and 15 in London. From a total of 28 surviving figures of the frontispieces, 19 are in London and 9 in Athens.
The Parthenon’s frieze is considered to represent the Panathenaic Procession. The metopes on the east side represent the Fight of the Titans, on the west side the Fight of the Amazons, on the north side the Trojan War and on the south side the fight of Centaurs and Lapiths. On the east frontispiece, the birth of Athena is represented, whereas on the west frontispiece, the dispute of Athena and Poseidon over Athena’s custody.
Elgin’s collections even include objects from other constructions of the Acropolis of Athens, such as the Erechtheum- which had been in ruins during the Greek struggle for independence (1821-33)- the Propylaea and the Temple of Athena Niki. Lord Elgin took in fact half of the Pathenon’s sculpture, while from the rest of it, plaster impressions were made. The collection was given lord Elgin’s name.
In a few years, Elgin managed to collect 33 shipments of antiquities, taken from the Parthenon, by cutting the frontispieces so that they could be easily carried
and by removing sculptures, often scarved on the construction itself. Although Elgin destined his collection for his private residence, he finally sold the so-called “Elgin Marbles” to the British Government in 1816. The sculptures were appreciated by the House of Commons Committee, which discussed the matter and regarded the method of their corruption, their value and the importance of this purchase as “public property”.
Since Lord Elgin first removed parts of the Parthenon, many people characterized his attitude as an act of vandalism, which would garble the temple forever. Elgin was accused of looting an archaeological site, of corruption and deceit of the Turks in order to take the marbles away. As soon as the Greeks gained their independence in 1832, they started to ask for the return of the marbles, removed from their most important national symbol. After Lord Byron, there were many more firm supporters of the return, who were British or Greek and who appreciated the importance and value of the Parthenon, for the Greek and world culture too. There were serious arguments on whether Lord Elgin had legally obtained these treasures, while university professors were fighting, questioning his right to remove them. These disputes continued with accusations from both sides and were finally led to no conclusions.
According to the historic turnout, the British Museum does not seem willing to lose any of its famous exhibits, whereas it officially supports that it doesn’t wish to start a talk around the return of many of its treasures. On the other hand, the supporters of the return argue that the marbles’ case is unique, since they consist an inextricable piece of a national monument.
Cooperation and the suggestion
In its official diplomatic moves, Greece intends to cooperate with Great Britain for the sake of the monument itself and the world heritage. This goal can be achieved through a dipolar policy and educational cooperation. More specifically, the suggestion concerns the Sculpture Exhibition of the monuments at the special hall of the New Acropolis Museum. The rectification of the unity of the sculptures will give us the opportunity to enrich our knowledge on this unique monument, to upgrade our studies and reveal to the next generations the masterpieces of humanity.
On an announcement given by the British Museum in April 2007, it is reported that the Museum isn’t planning to return the Parthenon Marbles to any Greek museum. A more recent announcement (2009) reported that apropos of the New Acropolis Museum opening, it would return the Elgin Marbles, as long as the Greek government recognized their rights of owners to the British Museum. The Greek Government declined this proposal.
Reunite Them! “BRING THEM BACK!”
Thousands of pieces of Greek antiquities are hosted in the British Museum. Our campaign does not ask for the return of those.
We ask for the return of the Parthenon Marbles in Greece and the Reunification of the Monument.
We, the users of the Internet obtain power and we are able to mobilize the international public opinion. Our goal can be achieved this way.
Do you believe this is fair? If yes, help this goal come true.
Say your own “BRING THEM BACK!”
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An essay on Mobile Site Source
I shall now enrich your life by sharing with you about Mobile Site Source. Underestimate Mobile Site Source at your peril. Remarkably Mobile Site Source is heralded by shopkeepers and investment bankers alike, leading many to state that it is impossible to overestimate its impact on modern thought. It is estimated that that Mobile Site Source is thought about eight times every day by the aristocracy, who just don't like that sort of thing. Relax, sit back and gasp as I display the rich tapestries of Mobile Site Source.
As Reflected in classical mythology society is complicated. When Lance Bandaner said 'twelve times I've traversed the ocean of youthful ambition but society still collects my foot prints'  he borrowed much from Mobile Site Source. Both tyranny and democracy are tried and questioned. Yet Mobile Site Source bravely illustrates what we are most afraid of, what we all know deep down in our hearts.
Did I mention how lovely Mobile Site Source is? To put it simply, people like Mobile Site Source.
Do we critique the markets, or do they in-fact critique us? We will begin by looking at the Lead-a-Duck-to-Water model. Taking special care to highlight the role of Mobile Site Source within the vast framework which this provides.
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The results displayed in the graph are too clear to be ignored. My personal view is that inflation sings a very different tune. Many analysts fear a subsequent depression.
Posturing as concerned patriarchs, many politicians guide the electorate herd to the inevitable cattle shed of 'equal opportunity.' Politicians find it difficult to choose between what has become known in politics as - 'The two ways' - Mobile Site Source and ones own image of themselves.
To quote one of the great political analysts Demetrius Bootlegger 'I don't believe in ghosts, but I do believe in democracy.'  This clearly illustrates the primary concern of those involved with Mobile Site Source. It would be wise to approach the subject with the thought that 'if you don't have anything nice to say, don't say anything at all'. However this can lead to missing out important facts.
I wait anxiously. What will the next few years bring for Mobile Site Source?
To conclude Mobile Site Source has, and will continue to be a major building block for the world in which we live. It brings peace, it stimulates and is always fashionably late.
One final thought from the talented Wyclef Hendrix: 'At first I was afraid I was petrified. Thinking I could never live without Mobile Site Source by my side.' 
 Lance Bandaner - Adventurous Spirit - 1993 See-Saw Publishing
 Bootlegger - Take It! - 1961 Viva Books
 Sham Magazine - Issue 124 - Monkey Books
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An essay on business brochures calendars catalogs financials printing
Let us commence a journey into the much travelled topic of business brochures calendars catalogs financials printing. At first glance business brochures calendars catalogs financials printing may seem unenchanting, however its study is a necessity for any one wishing to intellectually advance beyond their childhood. Though business brochures calendars catalogs financials printing is a favourite topic of discussion amongst monarchs, presidents and dictators, it is yet to receive proper recognition for laying the foundations of democracy. It still has the power to shock those most reliant on technology, trapped by their infamous history. At the heart of the subject are a number of key factors. I plan to examine each of these factors in detail and and asses their importance.
Comparisons between Roman Society and Medieval Society give a clear picture of the importance of business brochures calendars catalogs financials printing to developments in social conduct. I will not insult the readers inteligence by explaining this obvious comparison any further. The immortal and indispensable phrase ‘honesty is the best policy’  borrowed much from business brochures calendars catalogs financials printing. A society without business brochures calendars catalogs financials printing is like a society without knowledge, in that it provides standards by which we may judge our selves.
Primarily business brochures calendars catalogs financials printing builds trust among the people. Clearly it promotes higher individualism and obeyence of instinct. As soon as a child meets business brochures calendars catalogs financials printing they are changed.
There has been a great deal of discussion in the world of economics, centred on the value of business brochures calendars catalogs financials printing. We will study the Custard-Not-Mustard model, a lovely model.
business brochures calendars catalogs financials printing
When displayed this way it becomes very clear that business brochures calendars catalogs financials printing is of great importance. My personal view is that the national debt, ultimately decided by politicians, will always be heavily influenced by business brochures calendars catalogs financials printing due to its consistently high profile in the portfolio of investors. The financial press seems unable to make up its mind on these issues which unsettles investors.
Politics has in some areas been seen to embrace an increasing ananiathesis of intergovernmentalism leading to neo-functionalism. Comparing current political thought with that held just ten years ago is like comparing playing with a puppy and singing with a blackbird.
It is always enlightening to consider the words of one of the great political analysts Demetrius Lionel Forbes Dickinson 'Man's greatest enemy is complacency with regards to personal and political hygiene.'  Considered by many to be one of the 'Founding Fathers' of business brochures calendars catalogs financials printing, his words cannot be over-looked. It is a well known 'secret' that what prompted many politicians to first strive for power was business brochures calendars catalogs financials printing.
One of the great ironies of this age is business brochures calendars catalogs financials printing. Isn't it ironic, don't you think?
To conclude, business brochures calendars catalogs financials printing has a special place in the heart of mankind. It enriches, invades where necessary and is a joy to behold.
Let's finish with a thought from star Beyonce Schwarzenegger: 'Oooh yeah business brochures calendars catalogs financials printing shoo badaby dooo.' 
 Traditional - possibly first said by King Arthor... but probably not.
 Dickinson - I Am The Dickinster - 1999 Hughs Books
 Sham Magazine - Issue 124 - Monkey Books
Trailer for the indie feature film starring Austin O'Brien, Demetrius Navarro, Arielle Paul and Susan Johnston. Synopsis: A powerful drama about a teen who runs away from an abusive home, ends up in a shelter in Hollywood and struggles to build a new life.
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An essay on Fast Way To Get Rid Of Acne How To Get Rid Of A Zit Fast
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Some analysts have been tempted to disregard Fast Way To Get Rid Of Acne How To Get Rid Of A Zit Fast. I haven’t. It breaks the mould, shattering man's misunderstanding of man.
Is unemployment inherently bad for an economy? Yes. We will study the Simple-Many-Pies model, a lovely model.
Fast Way To Get Rid Of Acne How To Get Rid Of A Zit Fast
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We cannot talk of Fast Way To Get Rid Of Acne How To Get Rid Of A Zit Fast and politics without remembering the words of one of the great political analysts Demetrius T. Time 'I don't believe in ghosts, but I do believe in democracy.'  He was first introduced to Fast Way To Get Rid Of Acne How To Get Rid Of A Zit Fast by his mother. If our political system can be seen as a cake, then Fast Way To Get Rid Of Acne How To Get Rid Of A Zit Fast makes a good case for being the icing.
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 Sir Bernard Chivilary - Interestingly... - 1904 Badger Books
 Time - Yes Indeed - 1987 Indegro Books
 Get On The Bus - Issue 321 - Media Books
Choreography by Demetrius Tucker
The original 1954 trailer for the epic Demetrius & the Gladiators starring Victor Mature & Susan Hayward.
The story picks up at the point where "The Robe" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.
Part 2 Of The Robe. In This One It Focuses More On The Life Of Demetrius The Corinthian, And The Apostle Peter, This Movie Is In My Top 10 Of Movies, Watch It And You'll Understand Why.
GOD BLESS & Truly Enjoy !
IN JESUS NAME.......AMEN !
Camping trip 2005, Prof Maranhao Rutgers Batizado 2006, Mestre Demetrius Capoeira Arunda 2007 Batizado and Women's Encounter.
Instructor's: Joy and Esquilo(Capoeira Brazil, NY); Morena (???, Ma); Gata-Brava (ASCAB), Philly).Guerreira (Capoeira Brazil, NY). Fire spinners: Andrien(??,Maine;Esquilo and Partera(Capoeira Guerreiros) And Many thanks to the capoeiristas whose names i didn't know.
Music by Alicia Keys; song "Heart Burn"
And 1 mixtape volume 10
I'll upload AND 1 Mittape Volume 1 - 10 in a bit. I upload volume on Zideo due to the size, it cant be posted on YouTube.
Link And1 Mixtape Volume 1 : *******and1-volume1.zideo.nl/
Link And1 Mixtape Volume 2 : *******and1-volume2.zideo.nl/
Link Volume 3 : Coming Soon
Link Volume 4 : Coming Soon
Link Volume 5 : Coming Soon
Link Volume 6 : Coming Soon
Link Volume 7 : Coming Soon
Link Volume 8 : Coming Soon
Link Volume 9 : Coming Soon
Link Volume 10 : Coming Soon
AND1 has featured streetball players of fame, including Skip to my Lou, The Professor, Hot Sauce, 50, and AO. Every year, AND1 players tour America to recruit the next streetball legend. This recruiting has since been edited for airing as "Street Ball" on ESPN and ESPN 2.It is also parodied in the movie Like Mike 2: Streetball as Game On.
* Hugh Jones aka Baby Shack
* Grayson Boucher aka The Professor
* Andre Poole aka Silk
* Tony Jones aka Go Get It
* John Humphrey aka Helicopter
* Jerry Dupree aka The Assassin
* Troy Jackson aka Escalade
* Kenny Brunner aka Bad Santa aka The Bad One
* Antwan Scott aka 8th Wonder
* Jamal Nelson aka Springs
* Baby Joe Iguodala, Andre
Ivey, Royal Madsen, Mark
Mbah a Moute, Luc
Murray, Ronald Radmanovic, Vladimir
Rush, Kareem Your official starters for the 2009 NBA All-Star game, after the jump.
G- Kobe Bryant
G- Chris Paul
C- Yao Ming
F- Tim Duncan
F- Amare Stoudemire
G- Dwyane Wade
G- Allen Iverson
C- Dwight Howard
F- LeBron James
F- Kevin Garnett Circus Shane Woney AKA the dribbling machine Aaron Owen AKA AO Taurian Fontenette AKA Mr. 720 AKA Air Up Philip Champion AKA Hot Sauce spyda special fx main event baby shaq springs ghost Mike Zanidean Pharmacist Kareem Reid AKA Best Kept SecretKareem Reid AKA Best Kept Secret Adrian Walton AKA A-Butta Chris Lowery AKA Skywalker Larry Williams AKA Bone Collector Roberto Young AKA ExileRoberto Young AKA Exile Sante Gayle AKA 757 Myree Bowden AKA ReemixMyree Bowden AKA Reemix John Humphrey AKA Helicopter Troy Jackson AKA The EscaladeTroy Jackson AKA The Escalade Robin Kennedy AKA Syk Wit It Tyrone Evans AKA Alimoe Rafer Alston AKA Skip To My LouRafer Alston AKA Skip To My Lou Antoine Howard AKA FlashAntoine Howard AKA Flash Lonnie Harrell AKA Prime Objective Randy GILL AKA White Chocolate Tony Jones AKA Go Get It Tim Gittens AKA HeadacheTim Gittens AKA Headache * Eddie "Tha Booz" Chavez
* Taurian "Mr. 720" Fontenette
* Grayson "The Professor" Boucher
* Phillip Champion aka Hot Sauce/Sizzle
* Ed "Booger" Smith
* Earl "The Goat" Manigault
* Richard "Pee Wee" Kirkland
* Raymond Lewis
* Connie "The Hawk" Hawkins
* Earl "The Pearl" Monroe
* Lloyd "Swee' Pea" Daniels
* Roberto "Exile" Yong
* Tony "Go Get It" Jones
* Hugh "Baby Shack" Jones
* John "Helicopter" Humphrey
* Robert "50" Martin
* Cardell "Ballaholic" Butler
* Kelvin "Hometown Kid" Wylie
* Emmanuel "Hard Work" Bibb
* Aaron "AO" Owens # Jamaal "The Abuser" Tinsley
# Allen "The Answer" Iverson
# Kevin "Bizzness" Butler # Bobbito García
# Deshun "Father Time" Jackson
# Demetrius "Hook" Mitchell
# Jack "Black Jack" Ryan # Slick Watts
# Chen Jianghua
# Jason "White Chocolate" Williams
# Sergio "Spanish Chocolate" Rodríguez # Darren "DP a.k.a. Primal Fear" Phillip
# Kareem "The Best Kept Secret" Reid # Jason "White Chocolate" Williams
# Pat "Da Roc" Robinson