Results for: dreamworks Search Results
Family Filter:
12:54
-Begins with a fly-through of downtown L.A., taking a closer look at some of the tallest buildings. To get a comprehensive list, look here: *******en.wikipedia****/wiki/List_of_tallest_buildings_in_Los_Angeles And for notable buildings look here: *******www.publicartinla****/art_buildings/ ; as the tour focused on the tallest of buildings. -Continues flying North through Glendale (Third largest city in L.A. county). The city grew up around an airport est. 1923. Grand Central Airport. DreamWorks Animation remains located in the city's Grand Central Business Park on land formerly occupied by a helicopter landing base on the old air field. The Walt Disney Company also has a large campus located in the Grand Central Business Park that includes the headquarters for its Imagineering and Consumer Products divisions, The Muppets Holding Company, and also owns what's left of Grand Central Terminal (Wikipedia 2012). The flight ends up near San Fernando in the Western San Fernando Valley (via Burbank and smaller municipalities). Burbank: Billed as the "Media Capital of the World" and located only a few miles northeast of Hollywood, many media and entertainment companies are headquartered or have significant production facilities in Burbank, including Warner Bros. Entertainment, Warner Music Group, NBC Universal, The Walt Disney Company, ABC, Cartoon Network Studios, and Nickelodeon. The city is also home to Bob Hope Airport (Wikipedia 2012). -The flight resumes on the coast, West over the foothills, in Malibu. The community is famous for its warm, sandy beaches, and for being the home of many Hollywood movie stars and others associated with the entertainment industry. Most Malibu residents live within a few hundred yards of Pacific Coast Highway (State Route 1) (Wikipedia 2012). -Flying along the Pacific Coast Highway, Part 1 concludes upon the arrival in Santa Monica. Situated on Santa Monica Bay, it is surrounded on three sides by the city of Los Angeles — Pacific Palisades on the northwest, Brentwood on the north, West Los Angeles on the northeast, Mar Vista on the east, and Venice on the southeast. Santa Monica Pier, which was built in 1909. The La Monica Ballroom on the pier was once the largest ballroom in the US, and the source for many New Year's Eve national network broadcasts. The Santa Monica Civic Auditorium was an important music venue for several decades and hosted the Academy Awards in the 1960s. McCabe's Guitar Shop is still a leading acoustic performance space, as well as retail outlet (Wikipedia 2012).
23 Jan 2012
196
Share Video

2:27
Dreamworks Pictures presenteert War Horse. Van regisseur Steven Spielberg komt een verhaal vol avontuur, trouw, hoop en doorzettingsvermogen. Het verhaal speelt zich in een indrukwekkende omgeving op het Engelse platteland tijdens de Eerste Wereldoorlog af. War Horse begint met een opmerkelijke vriendschap tussen een paard met de naam Joey en een man genaamd Albert, die Joey temt en traint. Wanneer de twee gescheiden worden, zien we een bijzondere reis van het paard gedurende de oorlog met daarbij het veranderen, maar vooral het inspireren van de levens van alle mensen die hij ontmoet. De Eerste Wereldoorlog wordt gezien door de ogen van een paard – een odyssey van geluk en zorgen, hechte vriendschap en veel avontuur.
2 Feb 2012
383
Share Video

2:27
De DreamWorks Pictures, WAR HORSE (CABALLO DE BATALLA), es una aventura dirigida por Steven Spielberg; un cuento de lealtad, esperanza y tenacidad, ambientado en la Inglaterra rural y Europa en tiempos de la Primera Guerra Mundial. WAR HORSE (CABALLO DE BATALLA) comienza con el relato de la extraordinaria amistad entre un caballo llamado Joey y un joven muchacho, Albert, encargado de domesticarlo y entrenarlo. Cuando ambos son apartados por la fuerza, la película sigue el fenomenal viaje del animal a través de territorios en guerra, que irá modificando e inspirando las vidas de todos los personajes que conoce a su paso -la caballería británica, los soldados alemanes y hasta un granjero francés y su nieta- antes de que la historia alcance su emotivo clímax, en el corazón de una tierra de nadie.
10 Feb 2012
312
Share Video

2:27
De DreamWorks Pictures, WAR HORSE (CABALLO DE BATALLA), es una aventura dirigida por Steven Spielberg; un cuento de lealtad, esperanza y tenacidad, ambientado en la Inglaterra rural y Europa en tiempos de la Primera Guerra Mundial. WAR HORSE (CABALLO DE BATALLA) comienza con el relato de la extraordinaria amistad entre un caballo llamado Joey y un joven muchacho, Albert, encargado de domesticarlo y entrenarlo. Cuando ambos son apartados por la fuerza, la película sigue el fenomenal viaje del animal a través de territorios en guerra, que irá modificando e inspirando las vidas de todos los personajes que conoce a su paso -la caballería británica, los soldados alemanes y hasta un granjero francés y su nieta- antes de que la historia alcance su emotivo clímax, en el corazón de una tierra de nadie.
17 Feb 2012
317
Share Video

2:26
Från regissören Steven Spielberg kommer “War Horse” ett episkt äventyr för alla åldrar. Historien utspelar sig på den engelska landsbygden och i Europa under Andra Världskriget. War Horse börjar med den häpnadsväckande vänskapen mellan hästen Joey och den unge mannen Albert, som tämjer och tränar honom. De två skiljs åt mot sin vilja och historien skildrar hästens extraordinära resa genom kriget, där Joey inspirerar och förändrar livet för alla som han möter såväl brittiska kavallerister, tyska soldater som för en fransk bonde och hans dotterdotter. I rollerna märks Emily Watson, David Thewlis, Peter Mullan, Niels Arestrup, Tom Hiddleston, Jeremy Irvine, Benedict Cumberlach och Toby Kebbell. I regi av Tom Morris och Marianne Elliot. Filmen är baserad på Michael Morpurgos bok med samma namn, och har som teaterpjäs spelats för fulla hus av National Theatre of Great Britain i London samt på Broadway. © Dreamworks Studios
24 Feb 2012
351
Share Video

1:56
DreamWorks Picturesin “Sotahevonen”, ohjaajana Steven Spielberg, kertoo koskettavan tarinan uskollisuudesta, toivosta ja sinnikkyydestä niin Englannin idyllisellä maaseudulla kuin ensimmäisen maailmansodan riepottelemassa Euroopassa. Se on kertomus siitä, miten nuori Albert kesyttää ja kouluttaa hevosen nimeltä Joey ja miten heistä tulee erottamattomat ystävät. Kun kohtalo kuitenkin johdattaa kaksikon eri teille, tarina seuraa urhean hevosen uskomattomia edesottamuksia sodan melskeessä. Se kuvaa, kuinka monin tavoin tuo sankarihevonen mullistaa kaikkien kohtaamiensa ihmisten elämän – niin brittien ratsuväen kuin saksalaisten sotilaiden sekä ranskalaisen maanviljelijän ja tämän lapsenlapsen – kunnes kertomus saavuttaa kouraisevan huipennuksensa keskellä Ei-kenenkään-maata. Ensimmäinen maailmansodan kuohut koetaan hevosen kautta – sen taival sisältää iloa ja surua, syvää ystävyyttä ja huimia seikkailuja. “Sotahevonen” on suuri tarina ystävyydestä ja sodasta. Menestyksekäs romaani sovitettiin kansainvälisestikin erittäin suosituksi näytelmäksi, jota esitetään paraikaa Broadwaylla. Nyt sotahevosen tarina nähdään valkokankaalla elokuvahistorian merkittävimpiin lukeutuvan ohjaajan eeppisenä filmatisointina.
24 Feb 2012
248
Share Video

55:17
הכשרה בתיאטרון המרכבה - נתן כהן 1 הוידאו הזה בשפה העברית MERKAVAH JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is Nosson Kohn. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkavah Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkavah) of the spirit. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. ‬
16 Mar 2012
157
Share Video

43:05
הכשרה בתיאטרון המרכבה - נתן כהן 2 הוידאו הזה בשפה העברית MERKAVAH JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is Nosson Kohn. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkavah Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkavah) of the spirit. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. ‬
16 Mar 2012
109
Share Video

58:25
david 1 (intro). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. TAGS actor training, dancer training, gestalt therapy, nachman of breslav, yehuda ashlag, moses maimonides, jewish theater, kabbalah, dialectical philosophy, likutei moharan, guide for the perplexed, creativity training, mussar training, gestalt dreamwork, awareness training, substance abuse, addiction, defamation law
26 Mar 2012
89
Share Video

58:59
david 2 (unguided awareness). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is (lawyer) David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. TAGS actor training, dancer training, gestalt therapy, nachman of breslav, yehuda ashlag, moses maimonides, jewish theater, kabbalah, dialectical philosophy, likutei moharan, guide for the perplexed, creativity training, mussar training, gestalt dreamwork, awareness training, substance abuse, addiction, defamation law
26 Mar 2012
105
Share Video

1:01:32
david 3 (guided awareness). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is (lawyer) David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. TAGS actor training, dancer training, gestalt therapy, nachman of breslav, yehuda ashlag, moses maimonides, jewish theater, kabbalah, dialectical philosophy, likutei moharan, guide for the perplexed, creativity training, mussar training, gestalt dreamwork, awareness training, substance abuse, addiction, defamation law
27 Mar 2012
116
Share Video

1:02:05
david 4 (seeds, roots, branches). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is (lawyer) David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. TAGS actor training, dancer training, gestalt therapy, nachman of breslav, yehuda ashlag, moses maimonides, jewish theater, kabbalah, dialectical philosophy, likutei moharan, guide for the perplexed, creativity training, mussar training, gestalt dreamwork, awareness training, substance abuse, addiction, defamation law
27 Mar 2012
79
Share Video

1:00:27
david 5 (brechtian theater). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is (lawyer) David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. David began with a few "seeds", or "essences" of his personality, which he discovered doing Gestalt work on awareness. Then he used the "mocking your forms" exercise to learn how to distance himself from those forms. In this final video of the series "from therapy to theater", David collects the entire forest of trees that grew out of his initial seeds, and learns how to play with them, like a child plays freely with his toys. As director I constantly feed him different props and sound effects to stimulate his imagination. The end result that you see in this video "david 5" is David "on top of his material", "using his discards", master of the world he built with his awareness over the course of two hours. He has objectivity, He no longer is stuck in those habits which enslaved him subjectively at the outset. This is the goal of "brechtian theater" technique, in which the performer is a teacher educating an audience how they too can free themselves from their conditioning and discover how to remake their world in a saner, more creative and more productive manner. This is in contrast to the goals of usual "naturalistic theater" of real life characters, in which people are to be hypnotised into surrendering their powers of critical judgement as the price of being "entertained" instead of being educated to use their own powers. Those looking for a Jewish theological parallel can find it in the notion of God "riding the aravot" (in his Merkava or chariot), dwelling beyond all the spheres of reality and constantly freely recreating His world with new ideas, bring dead forms back to life as live forms. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. TAGS actor training, dancer training, brechtian theater, gestalt therapy, nachman of breslav, yehuda ashlag, moses maimonides, jewish theater, kabbalah, dialectical philosophy, likutei moharan, guide for the perplexed, creativity training, mussar training, gestalt dreamwork, awareness training, substance abuse, addiction, defamation law
28 Mar 2012
103
Share Video

58:24
david 6 (theory: nachman of breslav, walter benjamin)). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is (lawyer) David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. TAGS actor training, dancer training, gestalt therapy, nachman of breslav, walter benjamin, moses maimonides, jewish theater, kabbalah, likutei moharan, guide for the perplexed, brechtian theater, mabou mines theater, gestalt dreamwork, awareness training, substance abuse, addiction
5 Apr 2012
169
Share Video

1:02:03
david 7 (theory: passover). MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is (lawyer) David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Since I developed this way of combining Gestalt Therapy with performer training in 1975 in New York City, I have done this in depth process with about 630 people, most of whom were performers or spiritual searchers. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. In 1985 I printed out a summary of most of the work flow exercises, with the title "Merkava Theater Syllabus". I notice on the net that since 2007 another group also has been using the name "Merkava Theater" in London. I wish them great success, but I want to stress that I have no connection with that group at all. During the 30 years I have been in Israel I have had studios in Tel Aviv and in several neighborhoods of Jerusalem. For a while I taught acting in the Theater Department at Tel University. Since 2008 my studio has been in my home in the West Bank settlement "Adam", a 10 minute bus ride from the "Pisgat Z'ev" northern suburb of Jerusalem. Since 1982 I have had in informal relationship with the Diaspora Yeshiva of Jerusalem, where the Rebbe Mordecai Goldstien has been very supportive of my work. At Diaspora Yeshivah I have worked with about 60 men and women so far. But his in only a loose affiliation, since I am not very orthodox myself. That is to say, I do not limit myself to working only with men, and I do not limit myself to themes suitable for an orthodox mindset. For many years I have thought of myself as having a left foot that is a leftist avant garde theater director and a right foot that is a rightist meshugenah hassidic zionist rebbe. Even today I find that self image appropriate - even though I have no rabbi credentials at all. I encourage students to arrive for a day or two of workshops combining personal on-on-one Gestalt Therapy, group performer training exercises, class theory discussions based on philosophical and Torah sources, and ensemble work on various creative projects that I hope will lead to theater productions which we then will present at various locations in Israel or perhaps internationally. My budget at the moment is my small VA pension for the old and decrepit from the USA, but recently my ship has been sighted on the horizon and is expected to dock shortly, loaded with fame and fortune! Little of that will come from my students, since for now anyone who allows me to video his/her work for the net gets to work for free. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 30 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE.
6 Apr 2012
117
Share Video

1:01:58
הכשרה בתיאטרון המרכבה 8 (פסח) - דוויד שוורץ הוידאו הזה בשפה העברית MERKAVA JEWISH THEATER (MJT). DIRECTOR: FRANKLYN WEPNER. The performer in this video is David Schwartz. In this "MJT TRAINING" series of videos I am demonstrating how Gestalt Therapy work on awareness, dreams and personal relationships can serve as a foundation for releasing creativity in performers (actors, dancers, singers) and others. The roots of their personality that people discover in Gestalt work are seeds or essences that then can be expanded into physical and vocal expressions, and these, in turn, can be refined into artistic forms suitable for creative work for the performing arts in particular and for life in general . Writers, visual artists, spiritual searchers and others also can use these creative seeds as a source of grounding for their lives and their work. Over the years I have used various labels as the name of my process and the name of the company of actors I was working with at the time. For a while the name was "Nomos Life Lab", then "Gestalt Theater of Philadelphia", and when I immigrated to Israel in 1981 I selected the name "Merkava Jewish Theater", since the foundation of my work is to train a performer to serve as a vessel or chariot (Hebrew: merkava) of the spirit. This series of videos begins with a general description of the process, and then zeros in on demonstrations of work with particular individuals, some of whom are performers and others who while not thinking of themselves as performers have made a decision to develop their creative powers through plumbing the depths of their life by means of the tools available in this process. Of course, any in depth personal search for truth in life relates directly to the spiritual search that occupies religiously inclined people, and so it should be obvious why a certain percentage of time in these videos is devoted to showing parallels between these therapeutic and creative processes and similar themes explored in Jewish religious texts, especially (1) "Likutei Moharan" (collected essays) of Nachman of Breslav, (2) the "Introduction To The Zohar" of Yehuda Ashlag, (3) the "Tanya" of Schneur Zalman, and (4) the "Guide For he Perplexed" of Moses Maimonides. A general goal of this workshop series is to move gradually towards a finished theatrical product, which then will be presented as part of this series of videos. But while an artistic product would be desirable, more important for this project is the training process itself. Therefore, the process you are viewing here already is the primary product, and the final performance is only a secondary result, Like the icing on a cake. An earlier video which had similar goals is "Awareness Work With Bel Baca". That two hour demo video of 2006 really should be regarded as part of this same series of training videos. That video and the present 2012 videos all will be found at my "franklynwepner****" website. The theory part of these videos is presented in a series of essays which I also have put on that website. In addition, on that website you will find (1) many videos I made of my own dreamwork, (2) my own original musical shows on Jewish topics, and (3) my retelling of traditional Jewish stories with an original musical accompaniment. So far on the franklynwepner**** website there are about 40 hours of videos and 1500 pages of essays. Overall, there is quite a wide range of offerings in the videos. Some of them are intended as simple light enterainment, while others are uncompromising forays into the depths of inner space, going as far as the therapy, performing, philosophical and religious tools - along with our courage, intellect and motivation - will take us. TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner****. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: fwepearthlink****. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT. ALL OF MY VIDEOS IN THEIR ORIGINAL UN-BUTCHERED FORM ALSO ARE AVAILABLE AT VIMEO.COM. CHOPPED UP VERSIONS OF MOST OF THEM CAN BE FOUND ON JEWTUBE, YOUTUBE, METACAFE AND MYSPACE. THE ESSAYS ARE ONLY ON MY OWN WEBSITE. actor training, dancer training, gestalt therapy, nachman of breslav, moses maimonides, jewish theater, kabbalahנחמן מבסלב‫,‬ ליקוטי מוהר‫"‬ן ‫,‬פסח‫,‬ נבואה‫,‬ ‫תיאטרון יהודי, פרנקלין וופנר, דוויד שוורץ ,הכשרה לשחקן ,‬חקיינית, תיאטרון ברכטיאני‫,‬ תירפיה גשטאלט
7 Apr 2012
110
Share Video