The Unborn Baby - High Tech Photographs / Pro-life Anti-Abortion Video. Photos courtesy of Priests For Life. Pachabel's Cannon music from the Music Bakery. Video from rosaryfilms of Secret of the Rosary.
Development of the Unborn Baby. Fetal Development; From conception to birth; Day 1: fertilization: all human chromosomes are present; unique human life begins. Day 6: embryo begins implantation in the uterus. Day 22: heart begins to beat with the child's own blood, often a different type than the mothers'. Week 3: By the end of third week the child's backbone spinal column and nervous system are forming. The liver, kidneys and intestines begin to take shape. Week 4: By the end of week four the child is ten thousand times larger than the fertilized egg. Week 5: Eyes, legs, and hands begin to develop. Week 6: Brain waves are detectable; mouth and lips are present; fingernails are forming. Week 7: Eyelids, and toes form, nose distinct. The baby is kicking and swimming. Week 8: Every organ is in place, bones begin to replace cartilage, and fingerprints begin to form. By the 8th week the baby can begin to hear. Weeks 9 and 10: Teeth begin to form, fingernails develop. The baby can turn his head, and frown. The baby can hiccup. Weeks 10 and 11: The baby can "breathe" amniotic fluid and urinate. Week 11 the baby can grasp objects placed in its hand; all organ systems are functioning. The baby has a skeletal structure, nerves, and circulation. Week 12: The baby has all of the parts necessary to experience pain, including nerves, spinal cord, and thalamus. Vocal cords are complete. The baby can suck its thumb. Week 14: At this age, the heart pumps several quarts of blood through the body every day. Week 15: The baby has an adult's taste buds. Month 4: Bone Marrow is now beginning to form. The heart is pumping 25 quarts of blood a day. By the end of month 4 the baby will be 8-10 inches in length and will weigh up to half a pound. Week 17: The baby can have dream (REM) sleep. Week 19: Babies can routinely be saved at 21 to 22 weeks after fertilization, and sometimes they can be saved even younger. Week 20: The earliest stage at which Partial birth abortions are performed. At 20 weeks the baby recognizes its' mothers voice. Months 5 and 6: The baby practices breathing by inhaling amniotic fluid into its developing lungs. The baby will grasp at the umbilical cord when it feels it. Most mothers feel an increase in movement, kicking, and hiccups from the baby. Oil and sweat glands are now functioning. The baby is now twelve inches long or more, and weighs up to one and a half pounds. Months 7 through 9: Eyeteeth are present. The baby opens and closes his eyes. The baby is using four of the five senses (vision, hearing, taste, and touch.) He knows the difference between waking and sleeping, and can relate to the moods of the mother. The baby's skin begins to thicken, and a layer of fat is produced and stored beneath the skin. Antibodies are built up, and the baby's heart begins to pump 300 gallons of blood per day. Approximately one week before the birth the baby stops growing, and "drops" usually head down into the pelvic cavity. Sources Used: Bergel, Gary (Produced by NRLC) "When You Were Formed in Secret." 1998. Flanagan, Geraldine Lux. Beginning Life. The Marvelous Journey from Conception to Birth. New York: DK Publishing Inc., 1996. Hopson, Janet L. Fetal Psychology. Oct. 1998. 07 Jan 2003. Internet Sources: "Fetal Development." 07 Jan 2003.
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When the harvest is over, the people of Tamil Nadu express their gratitude to the gods, the earth and their cattle. For four days, they celebrate with abandon and worship with devotion. Pongal, the harvest festival in mid-January is a very important one in Tamil Nadu.
Pongal festivities continue through the first four days of the Tamil month of Thai (mid-January to mid-February). The houses are cleaned, painted and decorated. People wear new clothes and the cattle are gaily caparisoned with beads, bells and flowers--their horns painted and capped with gleaming metals.
TIME OF THE YEAR
Pongal falls in mid-January, at the beginning if Thai, which is a month of hope and joy and is considered very auspicious for marriages As a Tamil saying goes, "When Thai is born, it paves the way for hope." The month prior to Thai is Margazhi, considered inauspicious as it symbolizes the death of the sun as it journeys to the winter solstice. It is, however, believed that if a young unmarried woman offers prayers daily before dawn, the Gods would bless her with a suitable husband.
Though more popular in the rural areas, it is celebrated with the same gusto and fervor by the urban population too and the preparations are quite elaborate.
One can notice beautiful Kolams (decorative patterns made on the floor with rice flour) gracing the entrance of most houses. Kolams are generally drawn, traditionally speaking, with rice flour, the idea being that insects would feed on it and bless the household. The kolam also bore sociological significance and is even today religiously performed as a threshold ceremony before dawn in traditional households. Today, the kolam serves decorative purposes, and therefore almost no one takes the pain to draw it with rice flour. Instead, substitutes that can make instant kolams are popularly used.
At the center of the Kolam is a lump of cow-dung, which holds a five-petalled pumpkin flower--a symbol of fertility and an offering of love to the presiding deity. However, one thing that distracts from the solemnity of the festival is the film music blaring out of microphones.
Major festivals in the south are irrevocably linked to the buying of new clothes and the preparing of sweets and other delicacies. The shops are flooded with new things begging to be bought. For women, it is a must to put flowers in their hair, as this is considered auspicious.
Several community events like bullfight and bird fights are organized and community dinners made from the newly harvested crop are enjoyed by all.
All the four days of Pongal have their own significance as separate deities are worshipped each day. On the first day, Bhogi or the Rain God is worshipped. The day begins with a til oil bath and in the evening there is a bonfire in which all the rubbish in the house is burnt.
The second day is that of the Surya Pongal. The place where the Pongal puja is to be done, usually the courtyard or open terrace, is washed a day prior to the festival, smeared with cow-dung, and left to dry. Pretty kolams are drawn, which are special to the occasion. At the place where the puja is to be performed, a delicious concoction of rice, moong dal, jaggery and milk is cooked in a new earthenware pot on an open fire. But before that, some fresh ginger is tied around the pot. As the Pongal boils over and spills out of the pot, children waiting for this go around the pot, clapping their hands and crying "Pongalo Pongal". Once the Pongal is ready, it is tempered with cashew nuts and raisins fried in ghee.
The Pongal is offered, on a new banana leaf along with other traditional delicacies like Vadas, and payasam, to the Sun God in gratitude for bestowing his blessings on the land and the harvest. Sugarcane, grain, sweet potatoes etc. are also offered.
The third day is that of the cattle worship or Mattu Pongal. On this day, the cattle are caparisoned and paraded in the village after they have been offered the Pongal. The fourth and final day marks the KanyaPongal, when birds are worshipped. Major attractions of this day are bull and bird fights.
The Sankranti Rath (chariot) is a typical Pongal kolam. Earlier, the ropes of the rath were kept open till the day after Pongal, when all were "joined" from house to house symbolizing a collective desire to realize an uninterrupted cosmic cycle. Today, no one has the time or inclination to be quite so ritualistic and patterns are confined to houses and the immediate area outside it.
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*******SupremeMasterTV**** – Dazzling Dances of India (In Hindi). Episode: 1649, Air Date: 21 March 2011.
Today’s A Journey through Aesthetic Realms will be presented in Hindi, with subtitles in Arabic, Aulacese (Vietnamese), Chinese, English, French, German, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Mongolian, Persian, Portuguese, Russian and Spanish.
Halo graceful viewers, and welcome to A Journey through Aesthetic Realms on Supreme Master Television.
On today’s episode, we are delighted to present a few traditional dances from the beautiful country of India. One of the most ancient civilizations on the globe, her rich artistic heritage has evolved during more than 8,000 years of continuous cultural development.
This is reflected in the many forms of performance arts. Every year, countless regional as well as national festivals showcase hundreds of folk dances, many of which have roots traceable to a particular part of the country.
Our first dance is Garba, performed during the 9-day Navarātrī festival, which honors fertility and the divine origin of humanity. The colorfully dressed dancers, both males and females, are arranged in a circle surrounding a figure of a god or goddess, which has been placed in a central space or in a well-designed perforated earthen pot called Garbo.
The dancers’ circle represents the recurring cycle of birth and death. The many forms of this are displayed as a kaleidoscopic pattern shown by the dancers, symbolizing the ever-changing nature of the physical world, with only God at the center being eternal. Originating in the Gujarat region of India, Garba is a very lively dance with performers clapping or joining their palms after each move. In addition to India, Garba has also become very popular in the United States, Canada, and the United Kingdom.
Dholcholam is a drum dance popular in the northeastern state of Manipur. It is a mesmerizing performance by individual or group dancers at the Holi carnival every spring when, according to folk tradition, people sprinkle each other with colored powder or water to celebrate Mother’s love.
Dressed in vibrant costumes, Dholcholam dancers may carry various types of drums depending on the occasion, swaying their supple bodies and limbs gently like flowers in the spring breeze. At times, the drummer may perform acrobatic feats as the drumbeat goes faster and faster, leading the all-percussion ensemble. Next, please enjoy a fantastic Dholcholam performance.
The eastern Indian state of Orissa is known for its Odissi – one of the 6 classical Indian dance forms. Accompanied by traditional Indian instruments, the artists display beautiful poses and hand gestures in slow graceful movements. Throughout the centuries, Odissi has received enthusiastic royal patronage. It was also practiced as a prayer ritual by women who took care of Indian temples. The following is a short presentation of this classical dance.
Kathak was the name for the nomadic poets of ancient northern India who traveled around telling scriptural stories, accompanying themselves by choreographed movements. During over 1600 years of evolution, this dance absorbed many forms of folk arts from different origins.
These included the devotional ritual of the Bhakti religious movement, the straight leg dance style of Persian dancers, and the spinning movement of the mystic swirling dervishes. The addition of ankle bells also occurred during the development of Kathak. Let’s take a look at this ingenious blend of styles.
Although different in pace and strength, in many ways Kagalumba is quite similar to the Spanish dance Flamenco. This includes maintaining a straight vertical axis of the body, swirling movements, and elegant footwork. The Romanis are known for their wonderful talent and self expression.
Nowadays, the remaining Romanis in India continue the time-honored artistic traditions of their ancestors. Our next show is Kagalumba, a Rajasthan Romani folk dance with enchanting vocal and instrumental accompaniments.
Among the India folk ballets, perhaps the one that requires the most skill is the Stick Dance. Developed from a martial art in the northeastern state of Manipur, Stick Dance can be performed in solo or in group. The dancer, often dressed in a spirited martial art outfit, uses two sticks, one in each hand, to control a centrally tapered wand to prevent it from falling on the ground. While doing so, the dancer increases the difficulty of the stunt according to the accelerating rhythms of the drum and cymbals, while the audience admire in disbelief.
Meaning “beauty,” Lavani has been a popular folk dance of Maharashtra state for centuries. It is performed by charming women wearing nine-yard long saris and ankle bells to the exultant beat of the traditional Indian drum dholak. In some cases, the dancers also sing along with the rhythm. The dance enjoyed its peak popularity during the Peshwai Dynasty in Pune, when it became the favorite of the royal court. Common themes include a variety of subjects related to religion, social life, and romance. Now, please enjoy a beautiful performance of Lavani.
Our last Indian folk dance presentation today is Bhangra. It is a community dance developed in 1400 or earlier by Punjabi Sikh farmers to celebrate the harvest season on the village grounds. During the festivity, men and women wearing colorful traditional dresses sing Punjabi folk songs and play a number of musical instruments, including various kinds of drums and flutes.
Currently, Bhangra dance and music are also an integral part of weddings, Indian New Year celebrations, and other jubilant occasions. As our society becomes increasingly global, Bhangra has extended to many parts of the world including the entire South Asia, the United States, Canada, and the United Kingdom. The rhythms and dance styles have also been combined with other genres such as hip-hop and reggae.
Today we have seen eight folk dances of India, each with a unique origin and elegance. India’s rich artistic heritage has evolved for thousands of years, adding immeasurable beauty and upliftment to our world. May the spiritual Indian people, many of whom follow a plant-based lifestyle, continue to thrive, gracing a sustainable planet for eons to come, with all God’s blessings
Precious viewers, thank you for watching today’s A Journey through Aesthetic Realms.
Up next on Supreme Master Television is Vegetarianism: The Noble Way of Living, following Noteworthy News. May all world citizens realize their noble and compassionate God nature.
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