In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a single entitled Arnold Layne. The single was later released in March of that year and reached #20 in the British charts. Also in January the band had recorded a 16-minute version of Interstellar Overdrive and an improvised jam called Nick's Boogie, for Peter Whitehead's documentary film Tonite Let's All Make Love in London. (The latter track wasn't released until 1991 on the CD reissue of the film's soundtrack). The band's live show consisted mainly of instrumental numbers and blues covers, however they had started to introduce songs which were written primarily by lead guitarist and lead vocalist Syd Barrett. Many of these songs written by Barrett appeared at the Games For May concert several months before the release of the album.
Recording of the album began on the 21 February 1967 in studio three of Abbey Road Studios at the same time The Beatles were recording Sgt. Pepper's Lonely Hearts Club Band and The Pretty Things were recording S.F. Sorrow. The album was produced by Norman Smith, an EMI staff member who had previously engineered all of The Beatles recordings up to 1965's Rubber Soul. Smith would go on to produce Pink Floyd's follow up album, A Saucerful of Secrets. "Interstellar Overdrive" and "Matilda Mother" were two of the first tracks recorded, as the latter was viewed as a potential single. "Interstellar Overdrive"s kinetic and spacey production, came from the insistence of the normally conservative Norman Smith, whose work on the record is often criticised because it is seen that he tried to make the album more pop orientated. An early, unoverdubbed, shortened mix of the album's "Interstellar Overdrive" was used for a French EP released that July. In April, the band recorded both "Percy the Rat Catcher" (this would later be called "Lucifer Sam"), and a currently unreleased track called "She Was a Millionaire". At some point during the album's creation, Nick Mason recalled that they were "ushered" into studio 2 where The Beatles were recording "Lovely Rita". Several conflicting views surround how efficiently the recording of the album actually went. In his book Inside Out: A Personal History of Pink Floyd, Nick Mason recalled that the sessions went smoothly and that the whole process was extremely efficient. Norman Smith however, condemned both the album's recording and the band members' musical abilities. Smith later stated that the sessions were "sheer hell". However, both "The Gnome" and "The Scarecrow" were recorded in one take. Indeed a large proportion of the album is credited solely to Barrett, with tracks such as "Bike" having been written in late 1966 before the album was even started. "Bike" was originally entitled "The Bike Song", and it was recorded on 21 May 1967. The last recording session took place on 5 July 1967, with the track "Pow R. Toc H." being one of last songs added to the album.
Vic Singh photographed and designed the album cover, unlike subsequent Pink Floyd albums. The album remains one of the few to actually feature the band members on the front cover. The album's title comes from the title of Chapter Seven, "THE PIPER AT THE GATES OF DAWN," of Kenneth Grahame's The Wind in the Willows, where Rat and Mole, while searching for Portly, the lost son of Otter, are drawn to a place where the 'Piper' is playing on his reed flute.
"`This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. `Here, in this holy place, here if anywhere, surely we shall find Him!'"
(The 'Piper' referred to is the Greek god Pan.)
Portly was found near Pan.
Lyrics: Due to lack of space, i decided to focus on the description, sorry i wasn't able to provide the lyrics.
*******www.wildirishswan**** - Irish Wildlife Photography And Videography by Paul Hughes.
The Dublin City Grey Heron hunts and kills and eats whole a Brown Rat. The Grey Heron versus the Rat.
The Grey Heron was Filmed hunting a Brown Rat in the busy city of Dublin Ireland. The Rat battled long and hard to free its self from the tight grip within the Grey Herons beak. It fought and struggled desperately for its life, but never stood a chance against the Grey Herons well practiced predatory skillls. Copyright Notice: This Film should only be viewed Via You Tube and by the You Tube embed Features. For all Other Viewing and licensing, Contact Paul Hughes, at the above website address. Copyright (c) Paul Hughes, Wildlife Photography and Videography. The Grey Herons diet and hunting skills.The Grey Heron catches a Rat. The Grey Heron the Rat catcher. Grey Herons seen in Dublin City hunting. Paul Hughes wildlife photography. Dublin Cities wildest fights - Heron vs Rat.
From "The Star" movie (1999). This video was a piece of "Balkan Baroque" installation in the Venice Biennale 1997, that was Marina Abramović awared the Gold Lion Award.
"I´ d like to tell you a story of how we in the Balkans kill rats.
We have a method of transforming the rat into a wolf; we make a wolf rat.
But before I explain this method I´ d like to tell you something about rats themselves.
First of all, rats consume large quantities of food, sometimes double the weight of their own bodies.
Their front teeth never stop growing and they have to be ground constantly otherwise they risk suffocation.
Rats take good care of their families.
They will never kill or eat the members of their own family.
They are extremely intelligent.
Einstein once said: "If the rat were 20 kilos heavier it would definitely be the ruler of the world".
If you put a plate of food and poison in front of a hole the rat will sense it and not eat.
To catch the rats you have to fill all their holes with water, leaving only one open. In this way you can catch 35 to 45 rats.
You have to make sure that you choose only the males.
You put them in a cage and give them only water to drink.
After a while they start to get hungry, their front teeth start growing and even though, normally, they would not kill members of their own tribe, since they risk suffocation they are forced to kill the weak one in the cage.
And then another weak one, another weak one, and another weak one.
They go on until only the strongest and most superior rat of them all is left in the cage.
Now the rat catcher continues to give the rat water.
At this point timing is extremely important.
The rat´ s teeth are growing. When the rat catcher sees that there is only half an hour left before the rat will suffocate he opens the cage, takes a knife, removes the rat´ s eyes and lets it go.
Now the rat is nervous, outraged and in a panic. He faces his own death and runs into the rat hole and kills every rat that comes his way. Until he comes across the rat who is stronger and superior to him.
This rat kills him.
This is how we make the wolf rat in the Balkans."