Results for: why do fools fall in love Search Results
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1 Apr 2013
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2:51
Why Do Fools Fall In Love by Diana Ross
16 Nov 2008
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2:32
Marilyn McCoo sang a bunch of duets with Andy Gibb while both hosted Solid Gold... This clip has Andy and Marilyn performing the Diana Ross pop hit -- Why Do Fools Fall in Love?, circa 1981-82. They do some really nice tight harmonies together, and you can't beat having the Solid Gold Dancers back you up, visually anyway. Also, a BIG THANKS to CutterCovina on YouTube who sent me this high quality clip. I have lots of other videos to share of Marilyn McCoo singing covers, duets and more from her Solid Gold years -- check out my YouTube channel page for more videos. Hope my fellow McCoo fans enjoy them!
18 Nov 2008
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0:00
Why Do Fools Fall In Love? by Joni Mitchell
5 Nov 2009
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2:13
Four Seasons Sing Why Do Fools Fall In Love 1n 1962 On Vee Jay LP/SR1056.
2 Feb 2013
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2:20
This came off of the CD100 Golden Oldies 1992 First edition collectors series Volume 1 off of the CD Frankie lymon and the teenagers singing live on audio Why do fools fall in love. Here are the lyrics ooooo wah, oooooo wah, ooooo wah, oooooo wah, ooooo wah, oooooo wah, Why do fools fall in love Why do birds sing so gay And lovers await the break of day Why do they fall in love Why does the rain fall from up above Why do fools fall in love Why do they fall in love Love is a losing game And love can be a shame I know of a fool, you see For that fool is me Tell me why Tell me why Why do birds sing so gay And lovers await the break of day Why do they fall in love Why does the rain fall from up above Why do fools fall in love Why do they fall in love Why does my heart skip a crazy beat For I know it will reach defeat Tell me why Tell me why Why do fools fall in love
20 May 2013
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2:53
Music video by Diana Ross performing Why Do Fools Fall In Love. (C) 1981 BMG Entertainment
23 Oct 2013
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4:28
This is a live performance from The Frankie Laine show which aired in 1956. It is their first national television broadcast.
16 Feb 2009
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9:54
ch.5 the teenagers sign up, ch.6 little richard, ch.7 alan freed's show(the great pretender, baby baby)
16 Sep 2010
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2:30
original song, oldie.
5 Nov 2011
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10:00
1961 The Belmonts - Tell Me Why 1956 The Diamonds - Why Do Fools Fall in Love 1963 The Crystals - Da Doo Ron Ron 1960 The Passions - Gloria 1957 The Charts - Dance Girl 1957 Lewis Lymon & The Teenchords - Honey Honey 1963 The Classics - Till Then 1954 The Crew Cuts - Sh-Boom 1961 Barry Mann - Who Put the Bomp 1959 Norman Fox & The Rob Roys - Dream girl 1954 The Penguins - Earth Angel 1955 The Rainbows - Mary Lee 1954 The Wrens - Come Back My Love 1962 The Contours - Do You Love Me 1961 The Marcels - Blue Moon 1957 The Monotones - Book Of Love 1955 The Valentines - Lily Maebelle 1959 The Fascinators - Oh Rose Marie 1961 The Earls - Lookin' for My Baby 1962 The Earls - Remember Then
21 May 2009
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5:03
This is the second of several videos I'm making with clips, sounds and pictures of some of my favourite young singers. The clips in this one are: 1. A.J. Melendez - Still (age 12). One of his great performances on American Juniors and I must say his most powerful one. No one knew he had such power in his voice until this performance! It still confuses me that he didn't make it into the final group. 2. Lucy Hale - Make it Easy on Yourself (age 13). She - like A.J. - was one of the finalists on American Juniors and she did make it into the group. This performance sure shows why. 3. Morgan Burke - Somewhere Over The Rainbow (age 10). His first huge performance when he was only 10 years old. He performed at Showtime at The Apollo and the crowd loved him. And with that voice and cute looks, who wouldn't? 4. Katelyn Tarver - Ain't No Mountain High Enough (age 13). She did not have the best voice of the ten American Juniors finalists, but this performance was really great and it truly showed that she still does have a really good voice. 5. Danielle Freid - I Must Believe (age 9). Danielle was the lead in a musical and her vocals are really impressive. She was only 9 years old, but both her singing and her acting was fantastic! 6. A.J. Melendez - The Night Has A Thousand Eyes (age 12). Another terrific American Juniors performance. I love this one. He looks so comfortable on stage, his voice sounds really great and he looks like he's having so much fun! 7. Lucy Hale - Get Here (age 13). My favourite Lucy performance on American Juniors. She sang it with such power and she made it seem so easy. I love it. 8. Morgan Burke - Why Do Fools Fall in Love (age 12). One of his many performances as one of the finalists on American Juniors. I love how comfortable he is on stage and how much he enjoys himself. He has so much energy and his voice is amazing! 9. Katelyn Tarver - You Can't Hurry Love (age 13). This was her audition for American Juniors. I think she did a really good job and her mum sure has reason to look so proud! 10. Danielle Freid - Tomorrow (age 10). Dani was 10 years old in this clip, but her voice makes that rather hard to believe. She was singing at a talent show and - you guessed it - she obviously won. No surprise there with that kind of singing and happy spirit! Enjoy! Also, Danielle's father's youtube account is Ron793N, so make sure you visit that channel! P.S. My next "Amazing Child Singers" will be about: Declan Galbraith Mary-Kate Olsen Ashley Olsen Morgan Burke Jordan Jansen Make sure you don't miss it! :) And if this is the first one of my "Amazing Child Singers" you watch, then don't forget to check out and comment not only my later ones, but the first one too! =) I DO NOT OWN THE CLIPS IN THIS VIDEO! THIS IS PURELY FAN MADE AND FOR ENTERTAINMENT PURPOSES ONLY!
30 Dec 2009
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1:50
Halle Berry (pronounced /ˈhæli ˈbɛri/; born August 14, 1966) is a Multi-Ethnic American actress, former fashion model, and beauty queen. Berry received an Emmy, Golden Globe, SAG, and an NAACP Image award for Introducing Dorothy Dandridge[2] and won an Academy Award for Best Actress and was also nominated for a BAFTA Award in 2001 for her performance in Monster's Ball, becoming the first and, as of 2009, only woman of African American descent to have won the award for Best Actress. She is one of the highest-paid actresses in Hollywood and also a Revlon spokeswoman.[3][4] She has also been involved in the production side of several of her films. Before becoming an actress, Berry entered several beauty contests, finishing runner-up in the Miss USA (1986), and winning the Miss USA World 1986 title. Her breakthrough feature film role was in the 1991 Jungle Fever. This led to roles in The Flintstones (1994), Bulworth (1998), X-Men (2000) and its sequels, and as Bond Girl Jinx in Die Another Day (2002). She also won a worst actress Razzie Award in 2005 for Catwoman and accepted the award in person. Divorced from baseball player David Justice and musician Eric Benét, Berry has been dating Canadian model Gabriel Aubry since November 2005. Their first child, a girl named Nahla Ariela Aubry, was born on March 16, 2008. In the late 1980s, Berry went to Illinois to pursue a modeling career as well as acting. One of her first acting projects was a television series for local cable by Gordon Lake Productions called Chicago Force. In 1989, Berry landed the role of Emily Franklin in the short-lived ABC television series Living Dolls (a spin-off of Who's the Boss?). She went on to have a recurring role on the long running serial Knots Landing. In 1992, Berry was cast as the love interest in the video for R. Kelly's seminal single, "Honey Love". Her breakthrough feature film role was in Spike Lee's Jungle Fever, in which she played a drug addict named Vivian. Her first co-starring role was in the 1991 film Strictly Business. In 1992, Berry portrayed a career woman who falls for Eddie Murphy in the romantic comedy Boomerang. That same year, she caught the public's attention as a headstrong biracial slave in the TV adaptation of Queen: The Story of an American Family, based on the book by Alex Haley. Berry was in the live-action Flintstones movie as "Sharon Stone", the sultry secretary who seduced Fred Flintstone. Playing a former drug addict struggling to regain custody of her son in Losing Isaiah (1995), Berry tackled a more serious role, starring opposite co-star Jessica Lange. She portrayed Sandra Beecher in Race the Sun (1996), which was based on a true story, and co-starred alongside Kurt Russell in Executive Decision. From 1996 onwards, she was a Revlon spokeswoman for seven years and renewed her contract in 2004. In 1998, Berry received praise for her role in Bulworth as an intelligent woman raised by activists who gives a politician (Warren Beatty) a new lease on life. The same year, she played the singer Zola Taylor, one of the three wives of pop singer Frankie Lymon, in the biopic Why Do Fools Fall in Love. In the 1999 HBO biopic Introducing Dorothy Dandridge, she portrayed the first black woman to be nominated for a Best Actress Academy Award. Berry's performance was recognized with several awards, including an Emmy and a Golden Globe.[
27 Mar 2010
407
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3:24
Helen Shapiro was born at Bethnal Green Hospital in the East End district of Bethnal Green, London,[1] and brought up in Clapton in the London borough of Hackney, where she attended the Clapton Park Comprehensive School. She is the granddaughter of Russian Jewish immigrants. Her parents were too poor to own a record player but they encouraged music in their home (Helen had to borrow a neighbour's player to hear her first single). Shapiro played banjo as a child and sang with her brother Ron occasionally in his youth club jazz group. She had a deep timbre to her voice, unusual in a girl not yet in her teens: school friends gave her the nickname 'Foghorn'. At the age of twelve, she was lead singer of "Susie and the Hoops," a school band which was a trio featuring Marc Bolan (then using his real name of Marc Feld) as guitarist. In 1961, at the age of fourteen, she had two number one hits in the UK: "You Don't Know" and "Walkin' Back to Happiness"; and, indeed, her first four single releases all went into the top three of the UK Singles Chart. Most of her recording sessions were at EMI's studios at Abbey Road in north west London. Her mature voice made her an overnight sensation, as well as the youngest female chart topper in the UK. At a mere 14 years and 316 days old when "You Don't Know" hit the top, she was nevertheless a year older than Frankie Lymon had been when "Why Do Fools Fall in Love" hit the UK number one slot in 1956.[1] Before she was sixteen years old, Shapiro had been voted Britain's 'Top Female Singer'. The Beatles' first national tour of Britain in the late winter/early spring of 1963 was as her supporting act. During the course of the tour, the Beatles had their first hit single and John Lennon and Paul McCartney wrote the song "Misery" intended for her, but Shapiro did not record the composition.[2] In 1995, during a This is Your Life installment highlighting her life and career, Shapiro revealed, "It was actually turned down on my behalf before I ever heard it, actually. I never got to hear it or give an opinion. It's a shame, really."[citation needed] By the time she was in her late teens, her career as a pop singer was on the wane. With the new wave of beat music and newer female singers such as Cilla Black, Sandie Shaw and Lulu - Shapiro appeared old-fashioned and emblematic of the bee-hived pre-Beatles era. She branched out as a performer in stage musicals, a jazz singer, (jazz being her first love musically), and more recently a gospel singer. She played the role of Nancy in Lionel Bart's musical, Oliver! in London's West End and has appeared in British television soap operas; in particular Albion Market where she played one of the main characters up to the time it was taken off-air in August 1986. In August 1987 Shapiro became a committed believer in Jesus as the Messiah. She has issued four Messianic albums since then, as well as appearing in a number of gospel outreach meetings, singing and telling of how she found Jesus (Yeshua) as her Messiah. Shapiro retired from show business at the end of 2002 to concentrate on her gospel outreach evenings. She is married to John Judd, an actor with numerous roles in British television and cinema, she resides in the town of Highworth, Wiltshire. Her autobiography, published in 1993, was entitled Walking Back to Happiness. Shapiro is also mentioned in the BBC Television, science fiction comedy series Red Dwarf, because of her beehive hairstyle. (Wikipedia)
10 Feb 2011
234
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3:05
"Endless Love" is a song originally recorded as a duet between soul singers Diana Ross and Lionel Richie, who wrote the song. In this ballad, the singers declare their "endless love" for one another. It was covered by soul singer Luther Vandross with pop/R&B singer Mariah Carey, and also by country music singer Kenny Rogers. The song ranks at number 13 on Billboard's All Time Top 100. Ross and Richie recorded the song for the Motown Records, and it was used as the theme for the film Endless Love starring Brooke Shields. Produced by Richie and arranged by Gene Page, it was released as a single from the film's soundtrack in 1981. While the film Endless Love was a failure, the song became the second biggest-selling single of the year (first was "Physical" by Olivia Newton-John) in the U.S. and landed at number 1 on Billboard's Pop chart, where it stayed for nine weeks from August 9 to October 10, 1981. It also topped the Billboard R&B chart and the Adult Contemporary chart, and landed at number 7 in the UK. The soulful composition became the biggest-selling single of Ross' career, while it was one of several hits for Richie as the 1980s progressed. Ross recorded a solo version of the song for her first RCA Records album, Why Do Fools Fall in Love?, but the famous version was her last hit on Motown. The song was nominated for an Academy Award for Best Original Song for Richie, and was the second song with which Ross was involved that was nominated for an Oscar. It also won a 1982 American Music Award for Favorite Pop/Rock Single. The song was included in Adam Sandler's movie Happy Gilmore when Happy and his girlfriend Virginia are ice skating, and the song begins to play. Virginia says to Happy "I thought we were just going to be friends." To which he responds, "Friends listen to Endless Love in the dark." The song was included as well in the third season of Friends, in which Phoebe walks into Chandler and Joey´s flat, just to find Chandler singing the song and holding Lionel Ritchie's first album, even though the song is included in his fourth album, Back to Front and also in a special 1981 single. The song was also one of the most popular wedding dedication songs in the 1980's.
4 Jul 2011
5932
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6:42
THE FIRST TUNE IS: "Cogele el Golpe" (Grab the Beat) by Israel 'Cachao' Lopez... THE SECOND TUNE IS: 'Vitamina' by Noro Morales... THE THIRD TUNE IS: 'Mambo N úmero 8' by Damaso Perez Prado... Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. Boogaloo originated in New York City among teenage Cubans and Puerto Ricans. The style was a fusion of popular African American R&B, rock and roll and soul with mambo and son montuno. Boogaloo entered the mainstream through the American Bandstand television program. The boogaloo dance was loose and interpretive in style. Early Boogaloo used a twelve-step sequence that was later sped up into a thirty-step sequence. The most common musical feature was a mid-tempo, looping melody that doubled as the anchoring rhythm, often played on piano or by the horn section. The presence of vocals, especially a catchy, anthematic chorus, was another distinguishing feature, especially in comparison to more instrumental dances like the mambo, guajira and guaracha. Nowadays, the footwork is similar to Pachanga, but tends to be fast and bouncy like jive and also usually counted over an eight beat pattern. In the 1950s and 60s, African Americans in the United States listened to a number of styles of music, including jump blues, R&B and doo wop. Puerto Ricans in New York City shared in these tastes, but also listened to genres like mambo or chachacha. There was much intermixing of Latinos, especially Puerto Ricans and Cubans, and African Americans, and clubs that catered to both groups tried to find musical common ground to attract both. Boogaloo was the result of this search, a marriage of many styles including Cuban son montuno and guajira, Puerto Rican/Cuban guaracha, mambo and most uniquely, American R&B/soul. Boogaloo can be seen as "the first Nuyorican music" (René López), and has been called "the greatest potential that (Latinos) had to really cross over in terms of music" (Izzy Sanabria). Styles like doo wop also left a sizable infuence, through Tony Pabón (of Pete Rodríguez Band), Bobby Marín, King Nando, Johnny Colón and his vocalists Tony Rojas and Tito Ramos. Puerto Ricans (Herman Santiago and Joe Negroni) played a foundational role in the major doo wop group Frankie Lymon & the Teenagers. Herman Santiago was the author of the groups #1 "hit" "Why Do Fools Fall In Love". Though boogaloo did not become mainstream nationwide until later in the decade, two early Top 20 hits came in 1963: Mongo Santamaria's performance of the Herbie Hancock piece "Watermelon Man" and Ray Barretto's "El Watusi". Inspired by these two successes, a number of bands began imitating their infectious rhythms (which were Latinized R&B), intense conga rhythms and clever novelty lyrics. Some long-time veteran Latin musicians played an occasional boogaloo number, including Perez Prado and Tito Puente, but most of the performers were teenagers like The Latin Souls, The Lat-Teens, Pucho & His Latin Soul Brothers, Joe Bataan, Joe Cuba Sextet, and The Latinaires. The older generation of Latin musicians have even been accused of initially using their influence to repress this youth-oriented movement. The term boogaloo was probably coined in about 1966 by Richie Ray and Bobby Cruz. The biggest boogaloo hit of the 60s was "Bang Bang" by the Joe Cuba Sextet, which achieved unprecedented success for Latin music in the United States in 1966 when it sold over one million copies. Other hits included Johnny Colón's "Boogaloo Blues," Pete Rodríguez's "I Like It Like That," and Hector Rivera's "At the Party". Boogaloo also spread to Puerto Rico, where top band El Gran Combo released some material. Though the dance craze was over by the turn of the decade, boogaloo was popular enough that almost every major and minor Latin dance artist of the time recorded at least a few boogaloos on their albums. The same year as Joe Cuba's pop success, 1966, saw the closing of New York City's Palladium Ballroom, a well-known venue that had been the home of big band mambo for many years. The closing marked the end of mainstream mambo, and boogaloo ruled the Latin charts for about two years before salsa music began to take over. Boogaloo remains extremely popular to this day in Cali, Colombia, where the genre is played extensively, along with salsa and pachanga, in various FM and AM radio stations and hundreds of dance clubs. The Caleños also speed up Cha Cha Cha tunes, from 33 to 45 RPM, to create the boogaloo sound & rhythm to match the city's fast dance style.
8 Dec 2011
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