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Right from its virtuoso opening – an extended remodelling of the traditional Western shoot-out – Leone’s milestone movie draws on familiar genre motifs, and tests their mythical aspirations against tawdry historical reality.
Blending an elliptical vengeance drama (with Bronson as a nameless hunter), a perverse variation on the parable of civilisation brought to the wilderness (Cardinale as whoring earth mother), and a laconic commentary on the mores of a changing world (courtesy of Robards’ wry outlaw), the film nods to classics like The Iron Horse and Johnny Guitar in focusing on the building of a railroad out west – facilitated by a sadistic gunman improbably but brilliantly played by Henry Fonda. Co-scripted by Dario Argento and Bernardo Bertolucci, the film’s at once elegiac, ironic, subversive and supremely cinematic, and this restoration highlights the joy Leone took in sound (especially Morricone’s score) and image (Tonino Delli Colli laying out Monument Valley in ’Scope). Magnificent.
– Geoff Andrew
Dans un univers extraordinaire vit un jeune homme ordinaire, Adam, qui tente de joindre les deux bouts dans un monde détruit par la guerre. Tout en luttant pour avancer dans la vie, il est hanté par le souvenir dâune belle jeune fille venant dâun monde dâabondance : Eden. Dans cet univers, son monde se trouve juste au-dessus de celui dâAdam - si près que lorsquâil regarde vers le ciel, il peut voir ses villes étincelantes et ses champs fleuris. Mais cette proximité est trompeuse : lâentrée dans son monde est strictement interdite et la gravité de la planète dâEden rend toute tentative extrêmement périlleuse.
Gaspard Dassonville a 63 ans. Son style de vie en a la moitié : producteur de télévision réputé, il accumule les compagnes trentenaires et s'obstine à ignorer tout signe de vieillissement. Mais le grand âge lui tombe dessus avec fracas : Gaspard est contraint d'accueillir chez lui son père Hubert, devenu dépendant. Vieillard indomptable, Hubert vient perturber l'arrangement de son fils avec une jeunesse illusoire. Le duo se transforme en trio avec l'arrivée de Zana, aide-soignante aux références douteuses et à l'imagination débridée. Fascinés chacun à sa manière par cette femme peu conventionnelle, père et fils s'affrontent et se redécouvrent.