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Academy Award-winner Errol Morris’ TABLOID follows the much stranger-than-fiction adventures of Joyce McKinney, a former “beauty queen” whose single-minded devotion to the man of her dreams leads her across the globe and directly onto the front pages of the British tabloid newspapers. Joyce’s crusade for love and personal vindication, as illustrated by Morris, takes her through a surreal world of gunpoint abduction, manacled Mormons, oddball accomplices, bondage modeling, magic underwear and dreams of celestial unions. This notorious affair is barking mad.
Equal parts love story, film noir, brainy B-movie and demented fairy tale, TABLOID is a delirious meditation on hysteria – both public and personal – from a filmmaker who continues to break down and blow open the documentary genre with his penetrating portraits of eccentric and profoundly complex characters. In TABLOID, Morris concocts another jaw-dropping portrayal, this time of a phenomenally driven woman whose romantic obsessions and delusions catapult her over the edge into scandal-sheet notoriety and an unimaginable life. Long before the days of Lindsay, Britney and the 24-hour news cycle, Joyce McKinney reigned as the ensnaring Femme Fatale accused of sexual defiance. In TABLOID, she is back, and Morris offers up his best guilty treasure.
Miele narra la storia di Irene, una ragazza di trent'anni che ha deciso di aiutare le persone che soffrono: malati terminali che vogliono abbreviare l'agonia, persone le cui sofferenze intaccano la dignità di essere umano. Un giorno a richiedere il suo servizio è un settantenne in buona salute, che ritiene semplicemente di aver vissuto abbastanza. L'incontro metterà in discussione le convinzioni di Irene e la coinvolgerà in un dialogo serrato lungo il quale la relazione tra i due sembrerà infittirsi di sottintesi e ambiguità affettive.
Er ist exzentrisch, genial, scharfzüngig â doch nicht unbesiegbar. Das muss Tony Stark alias Iron Man (Robert Downey Jr.) erkennen, als er sich einem Gegner gegenübersieht, der keine Grenzen kennt. Nachdem dieser ihm all das, was Stark am Herzen liegt, genommen hat, begibt sich der geschlagene Held auf die leidvolle Suche den zu finden, der dafür verantwortlich ist â eine Reise, die seinen Mut und seine Standhaftigkeit auf eine harte Probe stellen wird. Mit dem Rücken zur Wand kann sich Stark auf seiner Mission nur noch auf seine eigenen Instrumente, seinen Scharfsinn und seine Instinkte verlassen um jene zu schützen, die ihm am wichtigsten sind. Während er sich langsam wieder zu alter Form zurückkämpft, findet Stark die Antwort auf die Frage, die ihn insgeheim schon lange verfolgt: Macht der Mann den Anzug oder macht der Anzug den Mann?