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What is a big corporation capable of doing in order to protect its brand? Recently, Swedish documentary filmmaker Fredrik Gertten experienced this personally. His previous film BANANAS!* recounts the lawsuit that 12 Nicaraguan plantation workers successfully brought against the fruit giant Dole Food Company. That film was selected for competition by the 2009 Los Angeles Film Festival. Nothing wrong so far, right? But then just before leaving Sweden to attend the Los Angeles world premiere of his film, Gertten gets a strange message: the festival has decided to remove BANANAS!* from competition. Then, a scathing, controversial and misinformed article appears on the cover of the Los Angeles Business Journal about the film a week before the premiere. And subsequently, Gertten receives a letter from Dole’s attorneys threatening legal action if the film is shown at this festival and to cease and desist.
What follows is an unparalleled story that Gertten captured on film. He filmed this entire process of corporate bullying and media spin - from DOLE attacking the producers with a defamation lawsuit, utilizing scare tactics, to media-control and PR-spin. BIG BOYS GONE BANANAS!* can be seen as a thriller and a cautionary tale. But, mostly this is a personal story about what happened to Gertten, as a documentary filmmaker and to his company and how the livelihood of documentary filmmakers can be easily put into jeopardy. This powerful film reveals precisely how a multinational will stop at nothing to get its way - freedom of speech is at stake. As Dole’s public relations company puts it, “It is easier to cope with a bad conscience than a bad reputation”.
Gaspard Dassonville a 63 ans. Son style de vie en a la moitié : producteur de télévision réputé, il accumule les compagnes trentenaires et s'obstine à ignorer tout signe de vieillissement. Mais le grand âge lui tombe dessus avec fracas : Gaspard est contraint d'accueillir chez lui son père Hubert, devenu dépendant. Vieillard indomptable, Hubert vient perturber l'arrangement de son fils avec une jeunesse illusoire. Le duo se transforme en trio avec l'arrivée de Zana, aide-soignante aux références douteuses et à l'imagination débridée. Fascinés chacun à sa manière par cette femme peu conventionnelle, père et fils s'affrontent et se redécouvrent.
Par deux fois, Vincent a cru rencontrer la femme de sa vie. Par deux fois, elles lâont quitté pour le même homme ... Denis. Maintenant que Vincent file le parfait amour avec Anna, sa seule crainte est que lâhistoire se répète.Alors il va tenter de comprendre. Que peuvent-elles trouver à ce type grande gueule, amateur de chemises bariolées et qui enseigne le catch comme une philosophie ?