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The Bone Collector (1999): Collecting the Evidence
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The Bone Collector (1999): Unable to Cut the Hands
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The Bone Collector (1999): Amelia Comes Back
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The Bone Collector (1999): Eaten by Rats
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The Bone Collector (1999): Following a Wrong Lead
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The Bone Collector (1999): Looking for the Clues
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The Bone Collector (1999): Kidnapped in a Cab
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The Bone Collector (1999): Kidnapped in a Cab P...
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The Bone Collector (1999): Barry Agrees to Help
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The Bone Collector (1999): Barry Agrees to Help...
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The Bone Collector (1999): Barry Agrees to Help...
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The Bone Collector (1999): Opening Credits
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The Bone Collector (1999): Crawling in the Tunnle
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The Bone Collector (1999): in the Hospital
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The Bone Collector (1999): Amelia Can't Commit
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The Bone Collector (1999): Amelia Can't Commit...
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The Bone Collector (1999): Finding a Body
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The Bone Collector (1999): Finding a Body Part 2
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The Bone Collector (1999): Finding a Body Part 3
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The Bone Collector (1999): Viewing the Crime Scene
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The Bone Collector (1999): Viewing the Crime Sc...
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The Bone Collector (1999): Rhyme Views the Evid...
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The Bone Collector (1999): Going to See Rhyme
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01:32
The Bone Collector (1999): Starting the Investi...
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The Bone Collector (1999): Starting the Investi...
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The Bone Collector (1999): Solving the Crime
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The Bone Collector (1999): Solving the Crime Pa...
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01:32
The Bone Collector (1999): Cheney Want's Inform...
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The clip amelia meets Rhyme from The Bone Collector (1999)
Hey. Come on in. They're right in there.
And you're saying a patrol cop took these pictures?
Yeah, first one on the scene. It started to rain. Smart cop.
Not only that, but had the balls to stop an Amtrak from running over the crime scene.
Here she is now. Officer "Donahoe. "
Meet Lincoln Rhyme. Donaghy.
Took some terrific photographs, Officer.
You know who I am? I read your manual at the academy.
What'd you think of it? I'm not a book critic, sir.
But you found it useful.
Yeah, I guess so. "Guess so. " Sure you did.
I mean, you stopped that train. Photos you took.
I'd say you have a natural instinct for forensics.
So what do we got, Paulie?
We have footprints, size ten, thanks to Officer Donaghy...
using a dollar bill to establish scale.
We have asbestos on a track bed where there shouldn't be any.
An iron bolt holding down a, uh, piece of paper.
A book page with 119 written on it.
Decaying oxidation on the bolt's head but not on the thread,
which says to me that someone removed it from somewhere else...
and placed it there recently.
Wouldn't you agree, Officer? Wouldn't you agree, Officer Donaghy?
Paulie, I'm convinced that this crime scene was staged.
Perp's trying to tell us something. What the fuck are you saying?
Book page 119. 11, 9. That's today's date.
Newspaper, 4:00 p. m. What time you got? 12:15.
She's alive, Paulie.
And he's gonna kill her at 4.00. P.M.
We have your interest yet, Officer?
I want you to work the case with us.
Uh, it's not my area.
Are you being modest or are you...
a little uneasy about doing some real police work?
The clip the-feral-kid-wants-to-go-with-max from Mad Max 2 (1981) with Mel Gibson, Mel Gibson. Powered by: Anyclip. any moment from any film. Get out, kid. Come on, get out of here. Go on, get out. Scat. Get out.
The clip failing-to-convince-max-to-stay from Mad Max 2 (1981) with Michael Preston, Mel Gibson. Powered by: Anyclip. any moment from any film. I told you, he's leaving. What did I tell you? Look, he's leaving. Look, I don't have time for long speeches. I want you to drive the tanker. Sorry. We had a contract. I kept my part of the bargain. We'll make a new contract. I've got all I need here. You don't have a future. I could offer you that. Rebuild our lives. Max... ...buy a ticket for 2,000 miles. You have to come, sonny. This is where we're going. Paradise. Two thousand miles from here. Fresh water, plenty of sunshine. Nothing to do but breed. No, thanks. What is it with you, huh? What are you looking for? Come on, Max, everyone's looking for something. You happy out there, are you? Wandering? One day blurring into another? You're a scavenger, Max. You're a maggot. Do you know that? You're living off the corpse of the old world. Tell me your story. Come on, tell me your story. What burned you out? Kill one man too many? See too many people die? Lose some family? Oh, so that's it. You lost some family. That make you something special, does it? Listen to me.