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Apollo 13 (1995): Another Course Correction
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Apollo 13 (1995): Preparing for Reentry
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Apollo 13 (1995): Moving to the LEM
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Apollo 13 (1995): Building a Filter
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Apollo 13 (1995): Huston, We Have a Problem
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Apollo 13 (1995): Closing the Fuel Cells Part 2
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Apollo 13 (1995): Needing a Course Correction
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Apollo 13 (1995): a Manual Course Correction
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Apollo 13 (1995): Preparing for Reentry
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Apollo 13 (1995): Many Systems Are Down
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Apollo 13 (1995): Examining the Service Module
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Apollo 13 (1995): The-crew-trains
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Apollo 13 (1995): Huston, We Have a Problem Part 2
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Apollo 13 (1995): Jim's Broadcast Part 3
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Apollo 13 (1995): a Problem Part 2
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Apollo 13 (1995): a Heat Shield Problem
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Apollo 13 (1995): Jim's Broadcast Part 3
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Apollo 13 (1995): Having Fun in the Spaceship
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Apollo 13 (1995): C.S.M Separation
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Apollo 13 (1995): Solving-the-co2-problem
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Apollo 13 (1995): Training-with-jack
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Apollo 13 (1995): Docking the Ship
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Apollo 13 (1995): Completing the Move to LEM
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Apollo 13 (1995): Losing Signal
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Apollo 13 (1995): Going Around the Moon
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Apollo 13 (1995): No More Waste Dumps
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Apollo 13 (1995): Houston Made a Mistake?
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The clip a manual course correction Part 2 from Apollo 13 (1995) with Bill Paxton, Tom Hanks
I can't get it stable.
She's dancin' all over the place!
Come to the right a little bit.
Fifteen seconds.
She's driftin'. I'm losin' attitude.
Hold it right there. That's it. No, Freddo, back!
Shit! I'm losin' it!
Bring the Earth up.
Forward, Fred. Come on. Forward.
Shit, I lost it! Where is it? Where is it?
7:00. Helium regulator's closed.
Bring it down, Freddo. Just nose it down.
Okay, uh, okay, I got it!
Thirty seconds.
Little farther. Ease your touch!
Damn it! Damn it, that's mine. That's me. Around.
A little more. Come on, baby.
Come on, that's it. Hold it. Damn it!
Back! That's it! Hold it! Steady. ... seven, eight, nine!
Shutdown!
Houston, we have shutdown.
That's close enough, Jim. Good work.
I knew it! I knew it! How about that LEM, huh?
How about it?
Guess you can keep your job.
You betcha.
Thirteen, stand by. We're evaluating our power usage on that burn.
Well, let's hope we don't have to do that again.
The clip being-interviewed from Thelonious Monk: Straight, No Chaser (Straight, No Chaser ) (1988) with Thelonious Monk, Bob Jones. Powered by: Anyclip. any moment from any film. What is more important in your work? Playing the piano or composing? - I do both. - Both. Mr. Monk, do you always wear different hats and caps in your concerts? Do they have an influence in your music? No. Good question. Maybe they do. I don't know. Do you think the piano has enough keys? 88? Or do you want more or less? It's hard work to play those 88. I was in the room, Nellie was in the room, backstage. And a reporter came and asked him what kind of music he liked. And Thelonious: "I like all kinds of music." A pretty good, legitimate answer. And then the reporter said, "Do you like country music?" Thelonious didn't answer. And the reporter said, "Well, do you? Do you like country music?" Thelonious looked at me and said, "I think the fellow's hard of hearing."
The clip appearing-on-live-tv from Thelonious Monk: Straight, No Chaser (Straight, No Chaser ) (1988) with Harry Colomby, Thelonious Monk. Powered by: Anyclip. any moment from any film. Live television is the scariest medium of all... ...because it's millions of people. If you're going to act silly or not show up... ...it's going to be a glaring omission. I just remember being very nervous. He sat down and he played, and I was aware... ...of a real professional. What's there to be nervous about? He's there. I remember though, on the way back, he was a little pissed off... ...at Count Basie. What did he say? He said Count Basie kept looking at him... ...while he was playing. He was at the piano and that somehow bothered him. He said, "Next time he plays, I'm going to look at him."