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The Egg and I (1947): Only an Egg
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The Egg and I (1947): Opening Credits
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The Egg and I (1947): Bob Quit His Job
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The Egg and I (1947): A Chicken Farm
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The Egg and I (1947): Driving to the Farm
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The Egg and I (1947): The Farmhouse
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The Egg and I (1947): The MacDonald Farm
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The Egg and I (1947): The MacDonald Farm Part 2
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The Egg and I (1947): The MacDonald Farm Part 3
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The Egg and I (1947): A House Full of Character
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The Egg and I (1947): Betty and the Stove
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The Egg and I (1947): Raining Through the Roof
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The Egg and I (1947): The Leaking Roof
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The Egg and I (1947): The First Night at Home
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The Egg and I (1947): Too Early to Get Up
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The Egg and I (1947): Fixing the House
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The Egg and I (1947): Working on the House
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02:00
The Egg and I (1947): Meeting Pa Kettle
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01:01
The Egg and I (1947): Meeting Pa Kettle Part 2
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00:51
The Egg and I (1947): Pa Kettle
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01:26
The Egg and I (1947): A Friendly Neighbor
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00:45
The Egg and I (1947): Borrowing Equipment
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01:14
The Egg and I (1947): Indians!
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00:46
The Egg and I (1947): Collecting Eggs
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00:41
The Egg and I (1947): Feeding the Pigs
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01:03
The Egg and I (1947): Mrs Putnam
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00:54
The Egg and I (1947): The Traveling Salesman
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Dizzy played for Lucky Millinder's band in the early '40s. It was a riff this band played, after a Dizzy solo in the tune "Little John Special", that Dizzy developed into his tune "Salt Peanuts".
who are the sidemen here?
Is that Max Roach on drums, TheApeLad?
The sort of "title" line kind of reminds me a little of "Let's Mop It" done by Willie "the Lion" Smith. I'm not saying this so ten people can debate this with me. Just think of it when I hear either song. cheers.
By nichmars [Affiliate User] 1219885069qrtaC87xs7xGuEmTskaWzl
Single and unsatisfied, come give it to a lonely lady
exVu575quk3jOw8MedOU ZGGIH
"Bird and Diz played together quite often in NYC" Until 1945, yes. For almost a decade Diz mostly distanced himself from Bird (I mean distanced himself literally physically -- he always highly praised his work).
"no one came close to having the aura of Bird in NYC and Chicago and KC"
for some people, who didn't number all that many people total, but had great taste.
"Where can I find the black charts?" _The Billboard Book Of Top 40 R&B And Hip-Hop Hits_.
Bird and Diz played together quite often in NYC and they were the ones that started bebop! You can't rely on records to tell the whole story, but Diz did play in Bird's bands quite often in the 40s and no one came close to having the aura of Bird in NYC and Chicago and KC, according to Mile's autobiography. If that is NOT "true," I'm sure we can agree that it is remotely close to true. Where can I find the black charts?
By coolstruttin1 [Affiliate User] 1218746479"Bird was the biggest thing there was in NYC in the 40s and early 50s." Not remotely close to true. Bird never even had a single reach the top ten on the "black" charts: Lester Young had three, Muddy Waters had fourteen, Dinah Washington had thirty-five. Diz was never in Bird's bands because he had decided he wouldn't be (and that Bird wouldn't be in his). Bird often worked with trumpeters other than Miles.
By JosephNScott [Affiliate User] 1218745027Uhh you probably shouldn't make general comments like that. Bird was the biggest thing there was in NYC in the 40s and early 50s; not so much with people that couldn't understand what he was doing. Diz was never in Bird's bands because Bird would hire Miles.
By coolstruttin1 [Affiliate User] 1218664003And he certainly does not look like Bird at all.
By matoflash [Affiliate User] 1218577954For sure it is not Cannonball. Cannonball came on the scene much later, he came to NYC in 1955. I don't know who it is, though.
By matoflash [Affiliate User] 1218577925LOL INTERNET
By mudkip444 [Affiliate User] 1218218349lol drummer.
By Selsr [Affiliate User] 1217883056