Saving All My Love for You Live by Whitney Houston Japan 1986

again SHE WAS SICK n dont say she didnt want to use it if she had it she would have used it and plz if u sing in whistle u would have realised how hard it is to perfect it like MC i am done debating with you you arte too much of a dillusuinal whitney fan i can only argue with a sane person ive tried to stay mature but ur just too much!!!!

Again Whitney live has shown her range between G2- Eb7 all live. She may have went lower than G2 in some runs and inflections. Her whistles that I counted in her range where all done purposely. Because Whitney is a more polished singer than MC, she prefers to sing like the opera singers using head and superhead. Any singer who can sing G6# effortlessly in full head can easily access whistle easily.

yes whistle is falsetto and if it is an intentional note produced knowingly and at any time you want to then count it but almost all her chirps were when she was sick so out of hundreds of performances about 10 where she did chirps if you want to count it count it but it should not be counted. she has hit a G#6 and it is exceptionally high in connected head voice . i disagree on that last statement . i think you are too much of a whitney fan and want to make her perfect in your mind

i admit that she even hit a G#6 in IWDWS a note higher than an F#5 so im not hating but dont say her whistle notes were intentional and she has 5 octaves!!!! thats too much .

Plus she hits some superhead and whistle notes in a My Name is Not Susan in 1991, singing as high or higher than MC.

Nippy notes all she count cause they were live and very much controlled and she did purposely. Her range is about from g2- d7or eb7. But there were might have been lower runs and inflections she has done live. I counting that Janet Control note so she very much had about 4.5 to 5 octaves in prime.

I agree with you genius but Whistle is falsetto and when she was unable to use head and superhead she would use whistle voice. But it should count in her range and she does have a whistle voice. Nippy has hit a G6# in head alone and that is extremely high for head voice. She easily in prime and probably now can sing in falsetto whistle.

Whitney has hit F#6 in Brunei in MNINS. She has hit E6 in Revalation is Here in the early 1990s. Spinto Soprano, though.

they should not, they were not controlled intentional notes. and plus the reason she does them is the phlegm in her throat when shes sick, a whistke note is produced when you constrict the throat the phlegm constricted her throat and anytime she wanted to hit head voice she either went falsetto or whistle. and the going up and down the scale was from C6 to i think F6 maybe G so it proves my theory more than yours.stop trying to make her seem better my expanding her range. she doesnt need it

Those noyes should be counted in her range and sick or not she did them live note after note. She has went up and down the scale live so she has at least 4.5 octaves.

the IWDWS perf in brunei was not intentional and all those chirps she does are unintentional and mostly if not always when shes sick so those im not counting if you want to count them be my guest

Whitney in prime stay also doing this high chirps in super head voice. It hard to tell how high she singing but you have to count those notes too when she sings the for you................... oop......... in the 80's and early 90's SAMFLY. She also plays with her octaves there.

Whitney has close to 5 octaves if not 5 in prime. I have heard her go lower than A2 Genius and she has went higher than G6 Brunei is A6/BB6 Plus she hit like a C7 in Spain Revelation is Here and she hit like a D7/Eb7 before in 1987 Control, tribute to Janet Jackson. Whitney has a lot of range she does not use all the time to save her voice.

no she did not possess 5 octaves , her lowest note is somewhere around A2 in I love you porgy and her highest is a G6 she hit live in i wanna dance with somebody so she has around 4 octaves wich is alot but her voice is not all about range, the power, the diction, the phrasing, the vocal genius, it continues , she truly was one of the best ion her prime

Whitne was coloratura soprano. The runs she does in head and superhead voice are all coloratura soprano runs. Whitney sings properly in head and superhead the same way an opera singer would. Mariah head voice is disconnected to her superhead and whistle, coloratura has very little to do with notes, but tessiura and approach to hitting notes. Whitney hit a couple of F5 in this clip!