Una Billie Holiday ormai quasi alla fine riprende, accompagnata da Mal Waldron, uno dei suoi primi successi (1935)
Enrico Rava - trumpet, Gianluca Petrella - trombone, Andrea Pozza - piano, Rosario Bonaccorso - bass, Emanuele Maniscalco - drums
Prendete un capolavoro come 'Round Midnight di Thelonious Monk, due strumentisti del calibro di Enrico Rava e Paolo Fresu, una ritmica stellare come quella composta da Stefano Bollani al piano, Enzo Pietropaoli al basso, Roberto Gatto alla batteria e il gioco รจ fatto. Ripreso a Umbria Jazz 2004
Stormy Monday Blues
Solo: Vi Redd(vocal and alto sax)
Count Basie and His Orchestra Live in Paris, 1968
Count Basie(p) Albert Aarons, Sonny Cohn, Gene Coe, Oscar Brashear(tp) Harlem Floyd, William Hughes, Grover Mitchell, Richard Boone(tb) Marshall Royal, Charles Fowlkes, Eric Dixon, Bobby Platter, Eddie "Lockjaw" Davis(sax) Freddie Green(g) Norman Keenan(b) Harold Jones(ds)
Vi Redd (born: Sep 20, 1928 in Los Angeles) is a passionate bop-based altoist and an exciting singer. The daughter of drummer Alton Redd, Vi was surrounded by music while growing up. She played locally, worked outside of music for the Board of Education during 1957-60 before returning to jazz. Redd played in Las Vegas in 1962, was with Earl Hines in 1964 and led a group in San Francisco in the mid-1960's with her husband, drummer Richie Goldberg. Among her other associations were Max Roach, Dizzy Gillespie (1968) and Count Basie. In 1969 Vi Redd settled in Los Angeles where she has gigged locally on an occasional basis while being busy as an educator. She led albums for United Artists (1962) and Atco (1962-63) but surprisingly no record sessions since. --Scott Yanow, All Music Guide
il noto brano di Amedeo Tommasi, immortalato da Chet Baker nell'album "Chet is back", qui ripreso dal quintetto senza Chet, pochi giorni dopo, nella trasmissione "Jazz pour Tous" alla televisione belga RTB. Suonano:
Rene Thomas (g),
Bobby Jaspar (ts , fl),
Amadeo Tommasi (p),
Benoit Quersin (b),
Daniel Humair(d)
Bruxelles 11-13 gen. 1962
The tenor sax lucky thompson plays a classic of bebop at Blue Note in Paris november 7 1959 with the bud powell trio
un fantastico Count accompagnato da Ray Brown al basso
Il noto brano di Bruno Martino nella splendida esecuzione di Michel Petrucciani