En un mundo cada vez mÃ¡s conectado por YouTube, iTunes, Twitter y Facebook, Lola (Miley Cyrus) y sus amigos se enfrentan a las presiones de la amistad y los romances del instituto mientras lidian con sus padres, muchas veces sobreprotectores y tecnolÃ³gicamente desorientados. Cuando la madre de Lola, Anne (Demi Moore), âaccidentalmenteâ lee el picante diario de su hija adolescente, se da cuenta de que los problemas de comunicaciÃ³n que hay entre ellas son mayores de lo que imaginaba. LOL estÃ¡ llena de divertidos y emotivos momentos que viven madre e hija y es una historia autÃ©ntica que refleja perfectamente la sociedad actual.
Right from its virtuoso opening â an extended remodelling of the traditional Western shoot-out â Leoneâs milestone movie draws on familiar genre motifs, and tests their mythical aspirations against tawdry historical reality.
Blending an elliptical vengeance drama (with Bronson as a nameless hunter), a perverse variation on the parable of civilisation brought to the wilderness (Cardinale as whoring earth mother), and a laconic commentary on the mores of a changing world (courtesy of Robardsâ wry outlaw), the film nods to classics like The Iron Horse and Johnny Guitar in focusing on the building of a railroad out west â facilitated by a sadistic gunman improbably but brilliantly played by Henry Fonda. Co-scripted by Dario Argento and Bernardo Bertolucci, the filmâs at once elegiac, ironic, subversive and supremely cinematic, and this restoration highlights the joy Leone took in sound (especially Morriconeâs score) and image (Tonino Delli Colli laying out Monument Valley in âScope). Magnificent.
â Geoff Andrew
Armed with pocket-sized video cameras, a tenacious band of Burmese reporters face down death to expose the repressive regime controlling their country. In 2007, after decades of self-imposed silence, Burma became headline news across the globe when peaceful Buddhist monks led a massive rebellion. More than 100,000 people took to the streets protesting a cruel dictatorship that has held the country hostage for more than 40 years. Foreign news crews were banned, the Internet was shut down, and Burma was closed to the outside world. So how did we witness these events? Enter the Democratic Voice of Burma (DVB), aka the Burma VJs. Compiled from the shaky handheld footage of the DVB, acclaimed filmmaker Anders Ostergaard's Burma VJ pulls us into the heat of the moment as the VJs themselves become the target of the Burmese government. Their tactical leader, code-named Joshua, oversees operations from a safe hiding place in Thailand. Via clandestine phone calls, Joshua dispenses his posse of video warriors, who covertly film the abuses in their country, then smuggle their footage across the border into Thailand. Joshua ships the footage to Norway, where it is broadcast back to Burma and the world via satellite. Burma VJ plays like a thriller, all the more scary because it is true.
Dylan and Kylie, two kids living on the outskirts of Dublin, who run away from their abusive homes and set off for the bright lights of the city in search of Dylanâs older brother and a better life. Hitching a lift along the canal, their fun begins as they revel in their new found freedom and friendship. But as night wears on and the darker characters of the street emerge, Dylan and Kylie find the initial excitement of their adventure fading fast. Out of cash and out of luck, they must rely on the kindness of strangers, the songs of Bob Dylan and trust in each other to survive.
The relationship between a father and daughter is complicated by the arrival of a handsome young man.
The story of Coco Chanel's rise from obscure beginnings to the heights of the fashion world.
Jonas is a crime photographer, a family man, and a generally beleaguered resident of suburban malaise until he's involved in a car accident that leaves a stranger, Julia, unconscious in the hospital. Curiosity compels Jonas to visit her, but when Julia's family mistakes him for her boyfriend, Sebastian (whom they've never met), Jonas readily steps into the role. His pretense would be short lived, but Julia awakens with amnesia and, enlivened by the new identity he's inherited, Jonas maintains the deception. Of course, memories return. And so do boyfriends.
Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.
Rudo and Cursi are two brothers who couldnât be more different - Cursi is a romantic who dreams of being a famous singer while all Rudo want to do is play football. But both of them want to make it big enough to buy their mother her dream house. When a top football scout takes arrives in town and notices the two brothersâ skill on the pitch, he takes them to Mexico City to play in the big leagues. But the fame, riches, fast cars and beautiful women make them lose sight of their roots and intensify their rivalry as their two teams prepare for a decisive match.
A nail-biting psychological thriller, that never lets you go. Set in New York State, the story center's on juvenile murderer, Eric Poole, who at 18, is released from jail having served his sentence for the murder of a young girl. Russell Crowe plays the hard-bitten detective who put him away and who is sure that Poole is a potential serial killer who will reoffend. He makes it his mission to keep Poole under surveillance as he sets off on a seemingly innocent road trip up-state. But all is not as it seems as Poole soon finds himself on the run with a young girl who has become obsessed with him and may or may not have been witness to the first murder.
A music-infused drama about Joe Meek, the flamboyantly gay, tone deaf, songwriter-producer behind the '60s hits "Have I the Right," "Just Like Eddie," "Johnny, Remember Me" and "Telstar."
A full scene from the upcoming UK film Telstar.
Six men with mid-life anxiety set out for a weekend in the country in an attempt to reconnect with their masculinity.
What they find is a catastrophe so horrible and bizarre that a mid-life crisis turns out to be exactly what they need to survive it...
Forty years on, legendary Brazilian writer-director-star Jose Mojica Marins returns to the role that established him as a horror genre auteur to be reckoned with as the long awaited third and final instalment of his renowned "Coffin Joe" series of films.
The sequel to "At Midnight I'll Take Your Soul" (1964) and "This Night I'll Possess Your Corpse" (1967), EMBODIMENT OF EVIL sees the sadistic undertaker Coffin Joe finally released from a prison mental ward after serving a 40-year term for kidnap, torture and murder.Back on the streets, Joe is reunited with his faithful servant Bruno and continues his diabolic quest for "the continuation of the blood" by finding the perfect woman to bear him a son. Assisted by a quartet of fanatic followers, they begin kidnapping and testing the suitability of potential bearers of Joe's offspring. Still driven by madness, Joe is haunted by visions of the ghosts of his former victims and graphic hallucinations of a purgatory-like landscape filled with human suffering and depravity.Meanwhile, a local police captain and a mentally unstable priest, both bearing their own personal grudges against the undertaker, have teamed up to hunt Joe down and to exact their revenge by destroying him once and for all.
The tragic loss of their unborn child has devastated Kate and John, taking a toll on both their marriage and Kate's fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, the couple decides to adopt another child. At the local orphanage, both John and Kate find themselves strangely drawn to a young girl named Esther. Almost as soon as they welcome Esther into their home, however, an alarming series of events begins to unfold, leading Kate to believe that there's something wrong with Esther-this seemingly angelic little girl is not what she appears to be. Concerned for the safety of her family, Kate tries to get John and others to see past Esther's sweet facade. But her warnings go unheeded until it may be too late--for everyone.
A grieving couple retreats to their cabin in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
Katso miten Oblivion-elokuvan maailma luotiin
VAL (Al Pacino) sale de la cÃ¡rcel tras cumplir 28 aÃ±os de condena. Su mejor amigo, DOC (Christopher Walken) le espera a la salida y juntos van en busca de otro viejo colega, HIRSCH (Alan Arkin). A pesar de la edad, los tres ex gÃ¡nsteres deciden empezar a recuperar esa misma noche los dÃas de gloria y las dÃ©cadas de crimen, drogas y sexo perdidas.
Pero DOC tiene un trabajo urgente que hacer, encomendado por el jefe de la antigua banda: matar a VAL y saldar asÃ su propia cuenta pendiente. El dilema para un gÃ¡nster es imposible y el tiempo para encontrar una salida se agota.